“Reclaiming the Old Testament for Christian Preaching” edited by Kent, Kissling & Turner

Over the last few decades, a revival of interest in the Old Testament seems to have come over the evangelical church. Numerous resources for preaching the Old Testament and for understanding the various genres we find in the first two thirds of our Bibles have been produced. The tide is turning, and more and more we hear of careful preaching through the Old Testament again.

We still have a long way to go, however. Most conservative pulpits major on the New Testament. After all, the relevance of NT books to the Christian living today is much more apparent. Popular expositors have even given us commentary after commentary on the New Testament, to the almost complete exclusion of the Old Testament. Theology-heavy sermons from the doctrinal portions of the New Testament can serve to keep people out of touch with the reality of the story of Scripture. And ironically, in an age where everybody’s story has value, the grand overarching storyline of the Bible is silenced by the Church’s neglect of the first 39 books of her Bible.

Many of the resources being published that are seeking to revive a focus on the Old Testament are locked away in scholarly tomes or couched in some liberal theological garb, effectively kept away from the average pastor’s and Bible teacher’s reach. A new book by InterVarsity Press aims to bring scholarly resources into an accessible and highly useful format. Reclaiming the Old Testament for Christian Preaching, edited by Grenville J.R. Kent, Paul J. Kissling and Laurence A. Turner, actually manages to live up to its title’s bold claim. In an accessible and user-friendly format, the book brings together contributions from a wide array of OT scholars.

After a brief introduction, the book moves on to cover OT narrative plot, OT narrative characters, the Law, Lament, Praise Poetry, Wisdom literature, the Song of Solomon, Isaiah, Ezekiel, Apocalyptic literature, and the Minor Prophets. It also has a chapter on preaching from difficult texts and another on preaching Christ from the Old Testament. The chapters aren’t too long or overly detailed; instead, they are delightfully readable. They are structured in such a way as to clearly convey the primary difficulties and recommended approaches for the particular genre surveyed. Almost all the chapters include helpful footnotes and recommendations for further study. And each concludes with an example sermon which puts the theory into practice.

As I read through this book, I kept earmarking page after page where helpful insights were shared about the various parts of the Old Testament. The sections covering narrative plot and characters were especially helpful and full of examples. Laurence Turner stressed placing each narrative in context to its larger narrative, and on sticking to the flow of the author as much as possible when developing a sermon. Paul Kissling discussed a unique strategy of comparing the speech of the characters over and against the narrator’s account, as a way of finding the main point of a given story. Christopher J.H. Wright’s chapter on preaching the Law was also superb. He stressed the connection Law has with grace as seen in the historical setting given in the Pentateuch. He also unpacked the lesser-known missiological aspects of the Law: namely, Israel living out God’s Law as a testimony to the nations, and the application this has to the Church today.

Federico Villanueva’s chapter on Lament was particularly insightful as he writes from the standpoint of a non-Westerner (he ministers in Manila). Tremper Longman’s chapter on wisdom literature, particularly his discussion of Ecclesiastes and Job, was also very helpful in finding ways to grasp the main point of these books and how best to apply it to today’s Christians. Similarly, Grenville Kent’s discussion on the Song of Solomon was also very helpful. Even though he steers clear of a direct allegorical interpretation, he finds value in analogy and metaphor. His discussion of where God makes an appearance in the Song, and why, is worth quoting here:

So if Yahweh had appeared directly in the Song, the culture may well have misunderstood him as condoning fertility religion or even as just another fertility god. The Song clearly separates worship and sex. it is ‘a non-mythological, non-cultic, non-idolatrous, outright, open celebration of God-given sexual love’. (pg. 130, quote from John G. Snaith The Song of Songs (Eerdmans, 1993), pg. 5.)

The chapter on Isaiah, by H.G.M. Williamson did a great job stressing the literary unity of Isaiah. He traced the theme of righteousness and justice showing how such wide themes inform the specific context of any given passage in the book. Daniel Block challenges us to preach Ezekiel, and offers several helpful charts and analyses of the book and its central message. Alison Lo gave a wonderful, yet brief treatment of the Minor Prophets. She excelled at relating the context and themes of those books to today’s world and its problems. She also discussed the interrelation of the books as a wider whole (the “book of the twelve”), and provided a fascinating outline of Zephaniah.

Gordon Wenham’s discussion of various “difficult texts” in the Old Testament was in the whole, masterful. Some may disagree with his stance on Gen. 1 — explaining the wider context of the ideas about the world of the time (and thus not getting into a discussion of whether the six days are literal 24 hour days), but his comments on the imprecatory psalms, the “eye for an eye” law, apparent divine-sanctioned genocides, and OT slavery are both helpful and wise. R.W.L. Moberly’s chapter on preaching Christ from the Old Testament cites a lot of material that applies to this concern. He stresses that the wider context of the Old Testament includes the canonical grouping of the books and their use by the Church. He sees a second narrative (the NT) interpreting the original narrative in a sense similar to a detective story where at the end, all the initial elements of the plot make perfect sense. He also allows for imagination to impact interpretation and helpfully walks through some examples in how to think through this in a practical manner.

The chapters in the book are not all of equal value. The praise poetry, and apocalyptic literature sections were not as helpful to me. Some of the contributors may not be as immediately accessible as others. But the beauty of this book is how it offers a manual for the preacher who is choosing an OT text to preach. This book won’t be the only resource consulted, but it offers a sensible approach and several helpful points for encountering just about any text in the Old Testament. Throughout, it stresses a literary and canonical approach that focuses on the Old Testament we have, not imagined historical reconstructions. This ensures the book’s usefulness by people of a variety of particular persuasions within evangelicalism.

I trust tools such as Reclaiming the Old Testament for Christian Preaching, will encourage many pastors to pick an OT book for their next sermon series. This book will prove useful for any Bible student, and I highly recommend it. May the beauty of the Old Testament captivate the hearts and minds of more teachers and preachers, and be preached with power to the congregations that God has entrusted to their care.

Disclaimer: This book was provided by Inter-Varsity Press for review. I was under no obligation to offer a favorable review.

Pick up a copy of this book at Amazon.com or through IVP direct.

Quotes to Note 25: Dorothy Sayers on the Necessity of Fundamental Christian Doctrine

I recently finished reading through Collected Writings on Scripture by D.A. Carson (compiled by Andrew Naselli; Crossway, 2010). The book includes not a few technical essays where Carson defends orthodox Christian doctrine on Scripture from innovative theological liberalism. In the conclusion to his essay, “Unity and Diversity in the New Testament: The Possibility of Systematic Theology”, Carson shares a lengthy quote from Dorothy Sayers that is pertinent to his defenses of orthodox doctrine. I intend to share the quote by Sayers here, as well as some of Carson’s remarks which follow it.

“The one thing I am here to say to you is this: that it is worse than useless for Christians to talk about the importance of Christian morality, unless they are prepared to take their stand upon the fundamentals of Christian theology. It is a lie to say that dogma does not matter; it matters enormously. It is fatal to let people suppose that Christianity is only a mode of feeling; it is virtually necessary to insist that it is first and foremost a rational explanation of the universe. It is hopeless to offer Christianity as a vaguely idealistic aspiration of a simple and consoling kind; it is, on the contrary, a hard, tough, exacting, and complex doctrine, steeped in a drastic and uncompromising realism. And it is fatal to imagine that everybody knows quite well what Christianity is and needs only a little encouragement to practice it. The brutal fact is that in this Christian country not one person in a hundred has the faintest notion about what the church teaches about God or man or society or the person of Jesus Christ.” (emphasis mine, quote from Dorothy L. Sayers, “Creed or Chaos?” in The Necessity of Systematic Theology, ed. Davis, 15-32)

So writes Dorothy Sayers, and I think she is basically right. This chapter has dealt with technical articles and critical judgments, but in the final analysis what is at stake is not some purely academic dispute, but what we preach. (D.A. Carson, Collected Writings on Scripture, pg. 148-149)

The wider American church needs to hear Sayers (and Carson) on this point. It does matter what you believe. The fundamentals of the faith are extremely important. All the warm-hearted feelings and emotion in the world, all the Christian morality and love for mankind, none of this means a hill of beans without clinging to the rock of Christian doctrine which has been revealed to us in Scripture.

In the next few weeks I’ll be sharing another quote or two from Carson’s work and then reviewing the book. I plan on giving away a copy too, so stay tuned!

“Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music” by Todd Stocker

In our day, few matters divide generations more readily than music. Each age group has its own musical preferences which the others don’t get, and often can’t appreciate. For Christians, this problem is even more pronounced. The Christian’s submission to Scripture leads inevitably to ethical questions surrounding various elements of modern culture, especially music. This is complicated by the tendency of some Christians to denigrate certain music styles as intrinsically evil.

When it comes to parenting, and dealing with teenagers in particular, it would be easy to ignore the issue of music altogether. Many Christian parents just suffer with whatever music choices their children make, even if they offer an occasional frown. Not a few parents take the opposite approach, and operate like the musical police. This can raise barriers between parent and child, fostering bitterness and resentment. For most of us, we’re not exactly sure how to handle the thorny topic of music.

This is why I was intrigued by the title of a new book from Kregel Publications by Todd Stocker (with notes from his son Nathan): Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music. The title gets right to the point, and when you open the front cover Stoker wastes no time in confronting the issue head on. In fact, the book is only a short 89 pages, but for many parents and teens today, a shorter book may have a better chance at being picked up and read. Whatever the case, even in these few short pages the book more than adequately covers the problem at hand.

Todd Stocker starts out by describing his love for music and how his Christian faith made him reevaluate his musical choices. His son Nathan’s affinity for hard rock brought him to the place where he had to start working through what music he’d allow his children to tune in to. The book moves on to describe music as a gift from God, but a gift that has been distorted by fallen man. There is a spiritual battle going on over music, and recognizing music’s ability to capture our souls with wonder should help us approach the topic soberly. Make no mistake, however, Stoker is not about a kill joy approach to music. “God never intended Christians to live cloistered.” (pg. 25)

Stocker goes on to trace the emotional, physical and spiritual impact of music, often quoting secular experts and personal experiences to add flavor. He explores various musical genres, and the question of Christian vs. secular music. He understands that the attitude and ethos created by the song conveys some meaning, but ultimately the lyrics make the predominant difference. Yet “God is not in one thing and not in the other”, and so even secular music can be redeemed for His purposes.

The meat of the book comes in his discussion of the working guidelines he’s come up with for his family. They are:

  • What do the lyrics say?
  • What picture does the song paint?
  • What is the mood or feel of the song?
  • Will the song cause others to stumble?
  • Who is the artist or group?

Stocker is careful to convey that a firm, hard line is not easy to achieve. He prefers to discuss these questions with his son Nathan, and together agree on the verdict. Ultimately he has parental veto power, however. Including the children in the decision both empowers them and teaches them how to exercise discernment for themselves.

Stocker finishes the book by encouraging Christians everywhere to take the copyright laws seriously when it comes to music.

Some additional helpful features of the book include the chapter recaps, notes by 13 year old Nathan Stocker sharing his perspective on music at various points in the book, and a chapter exercise for working through the five guidelines and applying them with an actual song. The book also includes some helpful resources in the end-notes.

Before I close this review, I would want to encourage parents to pick up this book and use it as a tool in developing their own approach to how to parent their children when it comes to the arena of music. Stocker’s exhortation is worth quoting here at some length:

God has placed great importance and responsibility on your parental position within the family. Therefore, it is not OK to allow your children to listen to lyrics that could poison their souls. Think of it this way: you would never allow your children to drink gasoline even if it was their choice to do so. Neither should you let your children drink music that could cripple them forever. (pg. 58)

I can’t recommend this book more. It could perhaps have included a bit more material, but that’s the only complaint I’d have. It reads very easy, and manages to tackle a difficult topic with grace. It is immensely helpful, and definitely worth picking up at Amazon.com, or direct from Kregel Publications.

Disclaimer: This book was provided by Kregel Publications for review. I was under no obligation to offer a favorable review.

Quotes to Note 24: Christopher J.H. Wright on the Gospel-Rootedness of the Law

I am currently reading through a fantastic little book entitled Reclaiming the Old Testament for Christian Preaching (edited by Grenville J.R. Kent, Paul J. Kissling and Laurence A. Turner, InterVarsity Press 2010). The book is a collection of essays on how to preach from various parts of the Old Testament. On the section dealing with the Law, Christopher J.H. Wright does a great job in pointing out how the law is both rooted in, and pointing forward to God’s grace. I thought I’d share a brief excerpt here from Wright’s section on the gospel-rootedness of the Law, for your benefit.

“No sooner has God got Israel to himself at Mount Sinai than he points them back to his own initiative of saving grace: “You have seen what I have done …now then, if you obey me fully…” [Ex. 19:4-5, author’s translation]. Grace comes before the law. There are eighteen chapters of salvation before we get to Sinai and the Ten Commandments. So the structure of the book supports the fundamental theology.

“I stress this because the idea that the difference between the Old and New Testaments is that in the OT salvation was by obeying the law, whereas in the NT it is by grace, is a terrible distortion of the Scripture. It is a distortion that Paul was combating, but has somehow crept into common Christian assumption. We need to preach rigorously against it. It is sad that in so many churches that have the Ten Commandments on the wall, they leave out the opening words of God, “I am the LORD your God, who brought you up out of slavery…” (author’s translation). That is posting the law without the gospel that grounds it. Paul makes it clear [regarding the OT] that salvation came through faith in God’s promise, and that obedience was a response to God’s saving grace.”

(pg. 48, emphasis and words in brackets are mine)

Salvation in the Present Tense: Are We “Being Saved”?

The chorus of a popular hymn from the early 20th Century1 goes like this:

Saved… by His pow’r divine,
Saved… to new life sublime!
Life now is sweet and my joy is complete,
For I’m Saved, Saved, Saved!

It certainly is a thrilling reality, to know oneself as saved by God’s grace. The American church over the last hundred years or more, has so focused on the past tense, completed sense of salvation, however, that they’ve ignored the idea of salvation being in the present tense. The Bible actually speaks of three tenses when it comes to salvation: we have been saved (in the past: Eph. 2:5,8, 2 Tim. 1:9, Tit. 3:5), we also will ultimately be saved (in the future: Rom, 5:91 Thess. 5:9-10, 1 Pet. 1:5), and we are being saved now (in the present: 1 Cor. 1:18, 15:1-2, 2 Cor. 2:15).

One of the key passages, as you see above, for this concept of salvation being a present tense “being saved” reality, is 1 Cor. 15:1-2. Which says, “Now I would remind you, brothers, of the gospel I preached to you, which you received, in which you stand, and by which you are being saved, if you hold fast to the word I preached to you”” unless you believed in vain. (ESV)”

Bill Mounce, a Greek professor and author, recently addressed how we should translate the Greek phrase for “being saved”, which some Bibles (like the King James Version) have as “are saved”. His comments reveal how the context of a book and one’s theology often help determine the translation of particular phrases. This is how language works. There is no absolute sense where the tense of a Greek verb has only one translation choice when it comes to putting it into English. That being said, I think Mounce’s case for 1 Cor. 15:2 being understood as “are being saved”, is quite strong. I also like his stress on the idea of being on “the straight and narrow” path, as the ultimate descriptive of our reality as Christ-followers.

Let me know what you think of this present tense salvation concept. I’ve shared thoughts related to this idea previously. A few posts which might help are listed below:

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1 Words and music by Jack Scholfield (1918). Hear the tune in a new, contemporary choral arrangement here.