Category: Kregel Publications

“40 Questions about the End Times” by Eckhard Schnabel

~ Bob Hayton ~ 2 Comments

Book Details:
  • Author: Eckhard Schnabel
  • Category: Theology
  • Publisher: Kregel Publications (2012)
  • Format: softcover
  • Page Count: 352
  • ISBN#: 0825438969
  • List Price: $17.99
  • Rating: Highly Recommended
  • Rating: Highly Recommended

Review:
Few subjects spark such controversy among Christians as end times theology. For some, the only controversy lies in the inexplicable reluctance of some to fully embrace the truth. Why can’t everyone be so moved and excited by the very evident relevance of Biblical prophecy? Can’t they see just by picking up a newspaper how we are living in the last days? Others make it their mission to pop the bubble of the many believers who practice such a newspaper-theology. Whether they advocate preterism, pre-wrath, post-millennialism or some other minority position, they turn every conversation into a discussion of their favored end times view. Still others have been burned by churches for abandoning the official eschatological position. And many would rather avoid this subject than see another passionate argument arise.

Given the many opportunities to engender strife on such a volatile subject, we must assume that Eckhard Schnabel was perhaps a bit hesitant to put forth yet another book that aims to navigate the mine-field of eschatology. Whatever the case, Schnabel’s new book 40 Questions about the End Times (Kregel, 2012) will certainly prove to be an important and helpful contribution. I hope it receives wide attention as it offers a helpful corrective to careless end-times speculation and steers clear of divisiveness.

40 Questions is informative and expansive without being exhaustive. The format of attacking the subject by means of 40 separate questions allows the book to aim for a systematic treatment of the topic in small segmented bites. This approach means that it can’t cover every relevant passage and answer every conceivable question, but it has its merits too. The book can serve as a manual to be referenced when one is looking for information specific to one question (the millennium, the rapture, Hell and judgement, etc.). And the approach keeps the book moving and on track.

Schnabel masterfully employs charts and comparisons between parallel passages and betrays a true mastery of the literature. Yet he doesn’t write for scholars. He stays both practical and accessible, even as his footnotes point the way for further study. He tries his best to avoid discussing eschatological positions directly, preferring to cover the relevant Biblical texts exegetically. It is apparent that he is premillennial but not dispensational. He would be post-tribulational in a sense as well, but is more historic premil. And for the most part, he is right in the mainstream of evangelical scholarship: he defends eternal conscious punishment, but holds to a strange view of the millennium that sees the Gog and Magog rebellion at the end of the thousand years as a release of the unrepentant followers of Satan who are deceived and judged again. (This may just be strange to me, as I have not come across this view before. Yet, I can’t help but suspecting this is a minority view at best in scholarship today.)

Throughout the book, Schnabel obliquely references “end times specialists” who presume that certain prophecies can only be fulfilled given modern technological advances. Such views are anachronistic, and worse: they represent “new prophecies”, since they give a prophetic significance to history. He puts the claims that Babylon will be rebuilt and that a third temple will be built into this category. I have to agree with him that the false predictions and constantly modified interpretive declarations about end times theology (such as the identification of the European Union with the 10-kings who support the Beast) present a problem for the church. Schnabel elaborates:

If the prophecy writer tries again and adjusts his prophecy, and the new prediction does not come to pass, the end-time “specialist” is clearly neither a specialist nor a prophet. Prophecy writers who get it wrong must apologize and they should stop writing, speaking, blogging, and tweeting about matters related to prophecy. (pg. 311)

This book, however, is more than a mere eschatological handbook or polemic against modern-day false prophets. It is a call for the Church to live in light of the big central truths of prophecy. Christ is returning at any moment, and He will judge the dead and reward the faithful. His kingdom will never end and everything wrong will be made right.

Even if one disagrees with some of Schnabel’s particular interpretations, his discussion of the relevant arguments on each question will be both helpful and enlightening. But the book will especially be a help to those who remain “willing to consider the truth of other interpretations of biblical passages,” and when warranted, “willing to concede that [they] may have to adjust [their] understanding” (pg. 315). Ultimately, what Schnabel says of Revelation applies to this book: it is written “not to satisfy our curiosity about God’s timetable for the end times but in order to encourage believers who are suffering and to exhort believers who are in danger of compromising their faith” (pg. 316).

This book will both educate and encourage the believer. I highly recommend it.

Author Info:
Eckhard J. Schnabel (PhD, University of Aberdeen), is professor of New Testament at Trinity Evangelical Divinity School in Deerfield, Illinois. His publications include Early Christian Mission and a commentary on 1 Corinthians.

Where to Buy:
  • Christianbook.com
  • Amazon
  • Kregel

Disclaimer:
This book was provided by Kregel Publications for review. I was under no obligation to offer a favorable review.

“Invitation to Biblical Interpretation” by Andreas J. Kostenberger and Richard D. Patterson

~ Bob Hayton ~ 6 Comments

Book Details:
  • Authors: Andreas J. Köstenberger and Richard D. Patterson
  • Category: Hermeneutics / Theology
  • Publisher: Kregel (2011)
  • Format: hardcover
  • Page Count: 896
  • ISBN#: 9780825430473
  • List Price: $46.99
  • Rating: Must Read

Review:
I have handled my fair share of textbooks over the years. I’ve also used a variety of Bible commentaries, Bible dictionaries, theology resources and biblical study tools. But I have never come across a more comprehensive and accessible resource for handling the Word of God than Invitation to Biblical Interpretation: Exploring the Hermeneutical Triad of History, Literature, and Theology by Andreas J. Köstenberger and Richard D. Patterson. This new 900 page book has truly set a new standard when it comes to Christian academic resources. In its thoroughness and detail, usability and accessibility, scholarship and piety, this work is simply unmatched. And I am not alone in this assessment, the book’s opening 13 pages contain no less than 39 endorsements from a wide range of leading evangelical scholars. And the fact that this is a hermeneutics textbook makes such widespread acclaim all the more surprising.

While the book is designed for the classroom, I read through the book from the standpoint of an educated layman looking for a resource on interpreting Scripture. This book proved to be more than just a resource tool, it is a virtual stand-alone hermeneutics course in and of itself, with a limitless supply of suggested books and articles for additional reading and self-study.

The book unfolds Köstenberger and Patterson’s “hermeneutical triad” as an overarching approach to interpretation. This triad consists of history (archaeology, culture, manners and customs, and other historical matters), literature (canon, genres, linguistics), and theology (biblical theology). But before getting into the heart of the book, the authors reveal their philosophical approach to interpreting Scripture, which I find incredibly helpful:

[W]e don’t start with words; we start with the canon. For example, this is also how we would interpret, say, a play by Shakespeare. We don’t just analyze the words in a given sentence; we first try to learn more about Shakespeare, his background, the time in which he wrote, surveying his major works, and so on, before finally settling on a particular play. Even then we might read a good summary before eventually delving in and starting to read the play. When we encounter a given word with which we are unfamiliar, we would not stop reading, because we are more concerned about following the general flow than identifying individual word meanings. Thus we don’t start with analyzing the details of the biblical text (word study); we start with the whole (canon).

What is more, we also don’t start out pretending the Bible is just like any other book, because we don’t believe it is. Rather, our purpose here is not to study just any form of human communication; our purpose is to study the Bible–the inerrant, inspired Word of God…. Ultimately, this is God’s canon, conveyed in the genres intended by God, and communication of God’s discourses using God’s words (without of course denying human instrumentality , style and authorship). Thus, we don’t introduce the notion of the Bible being “special” at some point later in the interpretive process (as if it were immaterial to the early stages of general hermeneutics) but put it front and center in the organization of the book. (pg. 25-26)

I hold that both of these points are incredibly important. We have to encounter God’s Word from a big picture approach that pays attention to authorial intent, but we also have to recognize the Divine Author behind the text.

After explaining their method, the authors more right into focusing on each element of the triad. A brief overview of the history of hermeneutics is given and then the matters of history, archaeology and the historical context of the times of the Bible are discussed at a fairly high level, but with many particular examples. This is helpfully fleshed out in a “sample exegesis” section which concludes most chapters. The research into how the Canaanites viewed the god Baal (the god of storms) helps us appreciate what is at stake when Elijah announces that Yahweh has suspended all rain (and all storms).

After discussing the role that history plays, the authors then devote the lion’s share of the work to the discussion of literature. The canon, its development and current shape, is explored as to how that should shape our interpretation, and a brief theology of the OT and the NT are sketched. The minor prophets offer an example where both the message of the books themselves need to be understood as well as their particular literary arrangement as “the book of the twelve”. I really appreciated this emphasis on canonical interpretation, which the authors define as: “a faithful effort to hear the way in which God addresses his people in and through the text of Scripture as it testifies to God in Christ” but it is not so much a method as “a practice of theological reading” (pg. 157).

The discussion of Genre covers OT historical narrative, poetry and wisdom literature, prophecy, NT historical narrative, parables, epistles and apocalyptic literature. Some genres are covered more in depth than others, with epistles and prophecy perhaps getting pride of place. The discussions give numerous examples and flesh out the why and how in an extremely clear and careful manner. Wise cautions and helpful insights abound. No real theological biases are detectable except perhaps a bias against full preterism. The authors don’t rush to make judgement calls on how everyone must read prophecy or view Revelation, either. At times I felt they must be historic premil, yet they stressed the symbolic nature of Revelation, as per its genre. The discussions take care to root themselves as much as possible in analysis of the biblical text rather than forcing foreign genre considerations onto textual data. I found the discussion of parables extremely helpful and balanced, not advocating a rigid “one-point” approach to parables yet not aiming for a no-holds-barred allegorical free-for-all, either.

The discussion on analyzing the language of literature was extraordinarily helpful. The authors emphasize looking at how the larger sections of the text relate to one another (discourse analysis) rather than just doing word studies. They give a helpful overview of some technical points of Hebrew and Greek (as well as English) grammar, and even point out occasional problems with the lexical approach of even such classic works as Kittel’s TDNT, and stress the role of context and semantic range in determining meaning. They also include a helpful section covering 12 exegetical fallacies with plenty of examples to illustrate the discussion. They also discuss figurative language and how we can recognize and interpret it.

The book then shows how to put everything together. The third tier of the triad, theology actually begins this process by stressing that we make our theological connections based on the text, which is the essence of biblical theology. After discussing the nature and method of biblical theology, the book closes with an exceedingly helpful chapter that offers a method for preaching through the various genres and applying the message of the text to the lives of people today. This chapter includes a discussion of Bible software tools and commentaries and other resources, but spends the bulk of the time discussing how to preach through all the various genres that were discussed earlier in the book. Cautions, challenges, methods, and sample outlines make this section especially practical and useful in the context of a daily ministry. An appendix is also included that has a short list of the best commentaries to get on each book of the Bible as well as other important resources to have handy.

My biggest critique of the book would be that it doesn’t go on to cover in detail absolutely everything I would want it to! But that is hardly fair, and it would make for a more unmanageable and unwieldy tool. I do have one bit of criticism, however. I would have liked to see the “how to” section at the end, with the example of how to preach through the genres more clearly called out from the sections covering the genre. For example, the section covering Proverbs in the chapter on Wisdom literature doesn’t deal with some of the pastoral concerns such as whether proverbs apply universally to all situations or not. Yet this concern is addressed in the how to section in the last chapter. I think a clearer link would have served those of us who will use the book more as a reference work than a seminary text book. My only additional quibble is that the assignments and bibliography from the previous chapter blend right in with the introductory objectives and outline for the next chapter. The formatting of the book just seems a bit odd in that regard.

Mentioning the bibliographies leads me to one more positive feature of the book. Each chapter has a selected bibliography for additional reading, and then in the footnotes, specific articles or books are called out that will be pertinent to the topic at hand. The footnotes and bibliography are usually helpful and accessible, rather than merely technical and scholarly.

As the book closes, the authors warn their readers against just putting this book on the shelf and ignoring this material. Instead the reader is encouraged that this book can “serve as a point of departure for a lifetime of studying and preaching or teaching the Bible” (pg. 727). I would most heartily concur. This book deserves pride of place on the shelf of anyone studying, preaching or teaching the Bible. Even where one may have a different theological bent or a disagreement with the authors, the book still will prove useful.

Invitation to Biblical Interpretation truly is a must-read, need-to-get book. It is evangelical scholarship at its best, and cannot be ignored. If you are not employing the techniques and practices put forth in this book, you owe it to yourself, at the very least, to read it and justify why you are not. This book can’t do the hard work of faithful exegesis for you, but it can set you in the right direction and prevent you from stumbling at all the wrong places. You really need to get this book!

Author Info:
Andreas J. Köstenberger (PhD, Trinity Evangelical Divinity School) is Senior Professor of New Testament and Biblical Theology and Director of PhD Studies at Southeastern Baptist Theological Seminary.  He is also editor of the Journal of the Evangelical Theological Society.

Richard D. Patterson (PhD, University of California, Los Angeles) is Distinguished Professor Emeritus at Liberty University.

Where to Buy:
  • Westminster Bookstore
  • Christianbook.com
  • Amazon.com
  • Kregel Publications

Disclaimer:
This book was provided by Kregel Publications for review. I was under no obligation to offer a favorable review.

“God and Stephen Hawking: Whose Design Is It Anyway?” by John C. Lennox

~ Bob Hayton ~ 2 Comments

The new atheists, like Richard Dawkins and Stephen Hawking, are ever in the public spotlight these days, or so it seems. The idea that brilliant physicists and scientists can make sense of this world without a God appeals to many. Certainly the conclusions reached in books such as Hawking’s latest book, The Grand Design — that there is no God and no ultimate point to the universe — are conclusions many atheists and secularists are all too eager to affirm. Since everything does fit so nicely together, however, should we wonder if the case made is really as air tight as claimed? If the conclusions are made to order, we might have warrant to carefully scrutinize the claims of these New Atheist authors.

John Lennox, author of God’s Undertaker, and a Professor of Mathematics at the University of Oxford in his own right, takes on Stephen Hawking’s arguments in a forthcoming book published by Lion Books and distributed in the US by Kregel Publications (available July 15). In God and Stephen Hawking: Whose Design Is It Anyway?, Lennox exposes the circular reasoning and non sequitors that abound in Hawking’s The Grand Design. Lennox begins by framing the scope of what science can really address as it attempts to examine metaphysical questions. He then points out both Hawking’s dismissal of philosophy and his misunderstanding of Christian theism. God is not merely a “god of the gaps”, an explanation for the world as we know it. The Christian understanding of God has Him outside the boundaries of creation as Lord over all of it, not some explanation for unknown phenomena. As for philosophy, after rejecting it as “dead”, Hawking jumps in and tries his own hand at several metaphysical questions that philosophy has long addressed. Hawking’s attempt at doing philosophy is all the poorer for his outright rejection of it.

Lennox then takes Hawking to task for claiming that the theory of gravity, or scientific laws in general, can operate as a “creator” in a sense, and be the ultimate cause for our universe. He clarifies what a law or rule of nature really “is”, and illustrates how Hawking makes more of such laws than can really be claimed. He then goes on to show how Hawking’s “M” theory of the “Multiverse” conveniently sidesteps objections by positing the existence of infinite universes. Still the question remains, why are there any universes instead of no universe? Lennox reveals that other major physicists have their own doubts as to the ability that M theory really has for being an explanation of everything.

Lennox also addresses head on the claim that miracles cannot happen because the laws of science would be invalidated. He pries open the layers from this question and shows the irrationality of claiming that science strictly forbids the existence of exceptions or miracles.

By the end of this short book (it’s only 100 pages long), Lennox has made a convincing case for theism and demonstrated that reasonable scientists continue to affirm the divine. Lennox’s book is accessible and clear, even as it interacts with quite complicated elements from Hawking’s writing. The book doesn’t own the six-day, young earth Creationist view, but it doesn’t rule it out either. Lennox argues that often the new atheists assume that to believe in God is to believe in a young earth view, and he shows this is not true. Lennox marshals arguments from science (the very idea of the big bang supports the Bible’s claim that the world has a beginning – something science has only admitted in the last hundred years), philosophy, history and the realm of human experience. The resulting case is convincing and should serve to bolster the faith of any troubled by the new atheism. At the least, it offers avenues of further exploration available in grappling with these issues.

Before closing my review, I should excerpt a small section from this book which captures some of Lennox’s craft in action. This excerpt will illustrate his style and the way he can cut to the heart of an issue with incisive logic.

Suppose, to make matters clearer, we replace the universe by a jet engine and then are asked to explain it. Shall we account for it by mentioning the personal agency of its inventor, Sir Frank Whittle? Or shall we follow Hawking: dismiss personal agency, and explain the jet engine by saying that it arose naturally from physical law…. It is not a question of either/or. It is self-evident that we need both levels of explanation in order to give a complete description. It is also obvious that the scientific explanation neither conflicts nor competes with the agent explanation: they complement one another. It is the same with explanations of the universe: god does not conflict or compete with the laws of physics as an explanation. God is actually the ground of all explanation, in the sense that he is the cause in the first place of there being a world for the laws of physics to describe.

To this I add my “amen”. I encourage you to pick up this little book as it offers an excellent primer on how to deal with the claims of the new atheism. Even if you differ with Lennox on a point or two, his clear style and succinct arguments will equip you in thinking through these issues on your own.

Disclaimer: This book was provided by the publisher for review. I was under no obligation to offer a favorable review.

You can purchase a copy of this book from any of these fine retailers: Christianbook.com, Amazon.com or direct from Kregel.

“A Trail of Ink: The Third Chronicle of Hugh de Singleton, Surgeon” by Mel Starr

~ Bob Hayton

The year is 1365, and Hugh de Singleton a surgeon turned bailiff returns to the town of Oxford, England. Singleton stumbles upon a mystery surrounding his friend Master John Wycliffe, Warden of Canterbury Hall. As it happens, Hugh de Singleton has a flair for solving mysteries, and apprehending the offenders. This time, the crime involves a scholar’s library — and Hugh’s own heart.

Author Mel Starr, in A Trail of Ink, enthralls us with his third installment of his “Chronicles of Hugh de Singleton, Surgeon”. The mystery and intrigue of life in the medieval age are brought to life through Starr’s attention to detail in his descriptions of life in Oxford. He takes us to taverns and inns, college halls and monasteries, castle anterooms and dungeons — virtually every corner of Oxford. Starr also illustrates courting customs, legal proceedings, surgical procedures, and even roof repair through Hugh’s adventures in the story.

Not having read the first two books in the series didn’t really impact my enjoyment of this tale. The characters are all sufficiently introduced again for new readers. While the story is told from Hugh’s point of view, primarily, he has a faithful sidekick as a companion on his misadventures. We learn some of John Wycliffe and Singleton’s Lord Gilbert. Kate, the damsel Hugh’s entranced by, also wins our attention.

The plot has numerous twists and turns, and the pace of the book speeds up from its somewhat slow beginning. The fun in reading this book is entering the world of 14th Century England. Singleton also has ample time for spiritual reflection in between his jaunts as surgeon, detective and bailiff. Christian readers won’t find objectionable content in this book. It’s a fun and interesting tale, with a unique setting. I’ll be looking out for the first two books in this series, and the promised fourth adventure.

You can pick up a copy of this book at Amazon.com, Christianbook.com, or direct from Kregel Publications.

Disclaimer: This book was provided by Kregel Books (distributors for Monarch Books) for review. I was under no obligation to offer a favorable review.

“Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music” by Todd Stocker

~ Bob Hayton ~ 25 Comments

In our day, few matters divide generations more readily than music. Each age group has its own musical preferences which the others don’t get, and often can’t appreciate. For Christians, this problem is even more pronounced. The Christian’s submission to Scripture leads inevitably to ethical questions surrounding various elements of modern culture, especially music. This is complicated by the tendency of some Christians to denigrate certain music styles as intrinsically evil.

When it comes to parenting, and dealing with teenagers in particular, it would be easy to ignore the issue of music altogether. Many Christian parents just suffer with whatever music choices their children make, even if they offer an occasional frown. Not a few parents take the opposite approach, and operate like the musical police. This can raise barriers between parent and child, fostering bitterness and resentment. For most of us, we’re not exactly sure how to handle the thorny topic of music.

This is why I was intrigued by the title of a new book from Kregel Publications by Todd Stocker (with notes from his son Nathan): Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music. The title gets right to the point, and when you open the front cover Stoker wastes no time in confronting the issue head on. In fact, the book is only a short 89 pages, but for many parents and teens today, a shorter book may have a better chance at being picked up and read. Whatever the case, even in these few short pages the book more than adequately covers the problem at hand.

Todd Stocker starts out by describing his love for music and how his Christian faith made him reevaluate his musical choices. His son Nathan’s affinity for hard rock brought him to the place where he had to start working through what music he’d allow his children to tune in to. The book moves on to describe music as a gift from God, but a gift that has been distorted by fallen man. There is a spiritual battle going on over music, and recognizing music’s ability to capture our souls with wonder should help us approach the topic soberly. Make no mistake, however, Stoker is not about a kill joy approach to music. “God never intended Christians to live cloistered.” (pg. 25)

Stocker goes on to trace the emotional, physical and spiritual impact of music, often quoting secular experts and personal experiences to add flavor. He explores various musical genres, and the question of Christian vs. secular music. He understands that the attitude and ethos created by the song conveys some meaning, but ultimately the lyrics make the predominant difference. Yet “God is not in one thing and not in the other”, and so even secular music can be redeemed for His purposes.

The meat of the book comes in his discussion of the working guidelines he’s come up with for his family. They are:

  • What do the lyrics say?
  • What picture does the song paint?
  • What is the mood or feel of the song?
  • Will the song cause others to stumble?
  • Who is the artist or group?

Stocker is careful to convey that a firm, hard line is not easy to achieve. He prefers to discuss these questions with his son Nathan, and together agree on the verdict. Ultimately he has parental veto power, however. Including the children in the decision both empowers them and teaches them how to exercise discernment for themselves.

Stocker finishes the book by encouraging Christians everywhere to take the copyright laws seriously when it comes to music.

Some additional helpful features of the book include the chapter recaps, notes by 13 year old Nathan Stocker sharing his perspective on music at various points in the book, and a chapter exercise for working through the five guidelines and applying them with an actual song. The book also includes some helpful resources in the end-notes.

Before I close this review, I would want to encourage parents to pick up this book and use it as a tool in developing their own approach to how to parent their children when it comes to the arena of music. Stocker’s exhortation is worth quoting here at some length:

God has placed great importance and responsibility on your parental position within the family. Therefore, it is not OK to allow your children to listen to lyrics that could poison their souls. Think of it this way: you would never allow your children to drink gasoline even if it was their choice to do so. Neither should you let your children drink music that could cripple them forever. (pg. 58)

I can’t recommend this book more. It could perhaps have included a bit more material, but that’s the only complaint I’d have. It reads very easy, and manages to tackle a difficult topic with grace. It is immensely helpful, and definitely worth picking up at Amazon.com, or direct from Kregel Publications.

Disclaimer: This book was provided by Kregel Publications for review. I was under no obligation to offer a favorable review.