Category: Recommended

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“Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music” by Todd Stocker

~ Bob Hayton ~ 25 Comments

In our day, few matters divide generations more readily than music. Each age group has its own musical preferences which the others don’t get, and often can’t appreciate. For Christians, this problem is even more pronounced. The Christian’s submission to Scripture leads inevitably to ethical questions surrounding various elements of modern culture, especially music. This is complicated by the tendency of some Christians to denigrate certain music styles as intrinsically evil.

When it comes to parenting, and dealing with teenagers in particular, it would be easy to ignore the issue of music altogether. Many Christian parents just suffer with whatever music choices their children make, even if they offer an occasional frown. Not a few parents take the opposite approach, and operate like the musical police. This can raise barriers between parent and child, fostering bitterness and resentment. For most of us, we’re not exactly sure how to handle the thorny topic of music.

This is why I was intrigued by the title of a new book from Kregel Publications by Todd Stocker (with notes from his son Nathan): Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music. The title gets right to the point, and when you open the front cover Stoker wastes no time in confronting the issue head on. In fact, the book is only a short 89 pages, but for many parents and teens today, a shorter book may have a better chance at being picked up and read. Whatever the case, even in these few short pages the book more than adequately covers the problem at hand.

Todd Stocker starts out by describing his love for music and how his Christian faith made him reevaluate his musical choices. His son Nathan’s affinity for hard rock brought him to the place where he had to start working through what music he’d allow his children to tune in to. The book moves on to describe music as a gift from God, but a gift that has been distorted by fallen man. There is a spiritual battle going on over music, and recognizing music’s ability to capture our souls with wonder should help us approach the topic soberly. Make no mistake, however, Stoker is not about a kill joy approach to music. “God never intended Christians to live cloistered.” (pg. 25)

Stocker goes on to trace the emotional, physical and spiritual impact of music, often quoting secular experts and personal experiences to add flavor. He explores various musical genres, and the question of Christian vs. secular music. He understands that the attitude and ethos created by the song conveys some meaning, but ultimately the lyrics make the predominant difference. Yet “God is not in one thing and not in the other”, and so even secular music can be redeemed for His purposes.

The meat of the book comes in his discussion of the working guidelines he’s come up with for his family. They are:

  • What do the lyrics say?
  • What picture does the song paint?
  • What is the mood or feel of the song?
  • Will the song cause others to stumble?
  • Who is the artist or group?

Stocker is careful to convey that a firm, hard line is not easy to achieve. He prefers to discuss these questions with his son Nathan, and together agree on the verdict. Ultimately he has parental veto power, however. Including the children in the decision both empowers them and teaches them how to exercise discernment for themselves.

Stocker finishes the book by encouraging Christians everywhere to take the copyright laws seriously when it comes to music.

Some additional helpful features of the book include the chapter recaps, notes by 13 year old Nathan Stocker sharing his perspective on music at various points in the book, and a chapter exercise for working through the five guidelines and applying them with an actual song. The book also includes some helpful resources in the end-notes.

Before I close this review, I would want to encourage parents to pick up this book and use it as a tool in developing their own approach to how to parent their children when it comes to the arena of music. Stocker’s exhortation is worth quoting here at some length:

God has placed great importance and responsibility on your parental position within the family. Therefore, it is not OK to allow your children to listen to lyrics that could poison their souls. Think of it this way: you would never allow your children to drink gasoline even if it was their choice to do so. Neither should you let your children drink music that could cripple them forever. (pg. 58)

I can’t recommend this book more. It could perhaps have included a bit more material, but that’s the only complaint I’d have. It reads very easy, and manages to tackle a difficult topic with grace. It is immensely helpful, and definitely worth picking up at Amazon.com, or direct from Kregel Publications.

Disclaimer: This book was provided by Kregel Publications for review. I was under no obligation to offer a favorable review.

Quotes to Note 24: Christopher J.H. Wright on the Gospel-Rootedness of the Law

~ Bob Hayton ~ 2 Comments

I am currently reading through a fantastic little book entitled Reclaiming the Old Testament for Christian Preaching (edited by Grenville J.R. Kent, Paul J. Kissling and Laurence A. Turner, InterVarsity Press 2010). The book is a collection of essays on how to preach from various parts of the Old Testament. On the section dealing with the Law, Christopher J.H. Wright does a great job in pointing out how the law is both rooted in, and pointing forward to God’s grace. I thought I’d share a brief excerpt here from Wright’s section on the gospel-rootedness of the Law, for your benefit.

“No sooner has God got Israel to himself at Mount Sinai than he points them back to his own initiative of saving grace: “You have seen what I have done …now then, if you obey me fully…” [Ex. 19:4-5, author’s translation]. Grace comes before the law. There are eighteen chapters of salvation before we get to Sinai and the Ten Commandments. So the structure of the book supports the fundamental theology.

“I stress this because the idea that the difference between the Old and New Testaments is that in the OT salvation was by obeying the law, whereas in the NT it is by grace, is a terrible distortion of the Scripture. It is a distortion that Paul was combating, but has somehow crept into common Christian assumption. We need to preach rigorously against it. It is sad that in so many churches that have the Ten Commandments on the wall, they leave out the opening words of God, “I am the LORD your God, who brought you up out of slavery…” (author’s translation). That is posting the law without the gospel that grounds it. Paul makes it clear [regarding the OT] that salvation came through faith in God’s promise, and that obedience was a response to God’s saving grace.”

(pg. 48, emphasis and words in brackets are mine)

Salvation in the Present Tense: Are We “Being Saved”?

~ Bob Hayton ~ 12 Comments

The chorus of a popular hymn from the early 20th Century1 goes like this:

Saved… by His pow’r divine,
Saved… to new life sublime!
Life now is sweet and my joy is complete,
For I’m Saved, Saved, Saved!

It certainly is a thrilling reality, to know oneself as saved by God’s grace. The American church over the last hundred years or more, has so focused on the past tense, completed sense of salvation, however, that they’ve ignored the idea of salvation being in the present tense. The Bible actually speaks of three tenses when it comes to salvation: we have been saved (in the past: Eph. 2:5,8, 2 Tim. 1:9, Tit. 3:5), we also will ultimately be saved (in the future: Rom, 5:91 Thess. 5:9-10, 1 Pet. 1:5), and we are being saved now (in the present: 1 Cor. 1:18, 15:1-2, 2 Cor. 2:15).

One of the key passages, as you see above, for this concept of salvation being a present tense “being saved” reality, is 1 Cor. 15:1-2. Which says, “Now I would remind you, brothers, of the gospel I preached to you, which you received, in which you stand, and by which you are being saved, if you hold fast to the word I preached to you”” unless you believed in vain. (ESV)”

Bill Mounce, a Greek professor and author, recently addressed how we should translate the Greek phrase for “being saved”, which some Bibles (like the King James Version) have as “are saved”. His comments reveal how the context of a book and one’s theology often help determine the translation of particular phrases. This is how language works. There is no absolute sense where the tense of a Greek verb has only one translation choice when it comes to putting it into English. That being said, I think Mounce’s case for 1 Cor. 15:2 being understood as “are being saved”, is quite strong. I also like his stress on the idea of being on “the straight and narrow” path, as the ultimate descriptive of our reality as Christ-followers.

Let me know what you think of this present tense salvation concept. I’ve shared thoughts related to this idea previously. A few posts which might help are listed below:

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1 Words and music by Jack Scholfield (1918). Hear the tune in a new, contemporary choral arrangement here.

Preserving the Truth Conference: A Success?

~ Bob Hayton ~ 5 Comments

First Baptist Church in Troy, MI hosted a new conference this past week. The Preserving the Truth Conference had over 350 in attendance and included the following main speakers: Kevin Bauder (president of Central Baptist Seminary in Minneapolis, MN), Dave Doran (pastor of Inter-City Baptist Church and president of Detroit Baptist Theological Seminary in Allen Park, MI), Mark Minnick (pastor of Mt. Calvary Baptist Church in Greenville, SC) and Chris Anderson (pastor of Tri-County Bible Church in Madison, OH, blogger at My Two Cents). The conference was a “symposium on Biblical separation”.

It seems to be somewhat of a success, with great discussion in the panel session, and hopes that fundamentalism can work through remaining questions on how to implement separation in faithful and careful ways. The concern is how they relate to conservative evangelicals on one hand, and more right-wing fundamentalists on the other. On the one hand, their stated goal is to “[preserve] the truth through careful separation, robust theology, and cultural conservatism”. Yet it seems apparent that the organizers of the conference are hoping to address issues which are problems in the mind of many young fundamentalists who are leaving fundamentalism for greener, conservative evangelical pastures.

Here are some accounts of the conference (which I did not attend).

Here is the link to the audio or written notes from conference workshops and plenary sessions, as well as some additional material contributed for the initiative.

I’m optimistic about this conference, even though I wonder about the defense of “conservatism” as part of the rescue of Fundamentalism. Also the inclusion of multiple peripheral issues as key points related to the preservation of truth and the Fundamentalist movement doesn’t seem to help in stemming the drift of the young people out of fundamentalism. Still questions are being raised and addressed, and some solutions are being offered. Even though I differ with some of their emphases, I’m happy to see things like this happening, and can hope it has a positive impact in the future. I suppose this is happening elsewhere, but I’m happy to report the reformation of fundamentalism continues.

I hope to listen to some of the audio and interact more on this topic in future posts. I’m discussing some of my initial impressions over at Sharper Iron, right now.

Let me know if you were present at the event, or what your take is on it. Was it a success? Or is it the first step toward lasting and positive change?

In Christ Alone, Take 2

~ Bob Hayton ~ 2 Comments

I recently updated my blog post on the powerful song, “In Christ Alone” by Stuart Townend and Keith Getty. Modern hymns, like that one, have been such a blessing to me over the past few years. Nothing will replace the grand old hymns, for sure. But many modern songs are coming very close. And they meet me where I am, and speak to me in fresh and lively ways that the old hymns sometimes cannot.

Anyway, the updated post now has all the broken links fixed, and several new links to the story behind the song, and other such helpful resources. In the process, I rediscovered Stuart Townend’s short description of authoring this song, which was likely the most wide-reaching and impactful new Christian song of the past decade. I thought I’d quote Stuart here, and then show an example of the impact of this song.

In November 2000 I was at a worship conference in Eastbourne, and introduced through a mutual friend to Keith Getty, who I had heard was a terrific melody writer. We met up for a coffee, and he promised to send me a CD of song ideas.

I didn’t really think any more about it. Then a CD arrived in the post containing three song ideas played on a piano. I didn’t get past the first melody, because I was so taken with it — it was quite hymn-like, but with a beautiful celtic lilt – I immediately started writing down some lines on the life of Christ.

Often lyrics come in quite a haphazard way. You write loads of couplets, then re-write some, then gradually piece it together to give it continuity and shape. The process for “In Christ alone” was much more linear. Once I’d worked out the rhyming structure (it felt like the song had better shape if lines 1 and 3 rhymed as well as the more usual 2 and 4), I started working on the first verse, setting the scene with a fairly subjective exploration of what Christ means to the Christian. Then I as I worked through the life, death and resurrection of Christ, I was getting more and more excited and emotional, and verse 4 kind of spilled out as a declaration of the impact of these amazing events in our lives.

Within a couple of days I had the whole lyric, sent it to Keith, he suggested a couple of changes, and “In Christ alone” was finished.

I think maybe one of the reasons the song is so popular is that it can stir up our emotions (I still often cry like an old softie when I sing it) — but the emotion is not the central feature of the song. Because the lyrics stay fixed on the unchanging truths of our salvation, it not only provokes emotion, but engenders faith, strengthening our spirits, not just stirring our souls.

The ability of the song to stir up emotions and move people is on display, oddly enough, in a recent reworking of the song by a popular secular musician. Adam Young of the Owl City band talks of how the song moved him to tears, in this post. He uses the song to make a testimony of his faith in Christ, too. He also gives us quite the melodic and artistic rendition of the song, available in full on his blog. I encourage you to check it out, if you haven’t already.

For more on “In Christ Alone”, check out the lyrics and links I’ve collected in my post.