“Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music” by Todd Stocker

In our day, few matters divide generations more readily than music. Each age group has its own musical preferences which the others don’t get, and often can’t appreciate. For Christians, this problem is even more pronounced. The Christian’s submission to Scripture leads inevitably to ethical questions surrounding various elements of modern culture, especially music. This is complicated by the tendency of some Christians to denigrate certain music styles as intrinsically evil.

When it comes to parenting, and dealing with teenagers in particular, it would be easy to ignore the issue of music altogether. Many Christian parents just suffer with whatever music choices their children make, even if they offer an occasional frown. Not a few parents take the opposite approach, and operate like the musical police. This can raise barriers between parent and child, fostering bitterness and resentment. For most of us, we’re not exactly sure how to handle the thorny topic of music.

This is why I was intrigued by the title of a new book from Kregel Publications by Todd Stocker (with notes from his son Nathan): Infinite Playlists: How to Have Conversations [Not Conflict] with Your Kids About Music. The title gets right to the point, and when you open the front cover Stoker wastes no time in confronting the issue head on. In fact, the book is only a short 89 pages, but for many parents and teens today, a shorter book may have a better chance at being picked up and read. Whatever the case, even in these few short pages the book more than adequately covers the problem at hand.

Todd Stocker starts out by describing his love for music and how his Christian faith made him reevaluate his musical choices. His son Nathan’s affinity for hard rock brought him to the place where he had to start working through what music he’d allow his children to tune in to. The book moves on to describe music as a gift from God, but a gift that has been distorted by fallen man. There is a spiritual battle going on over music, and recognizing music’s ability to capture our souls with wonder should help us approach the topic soberly. Make no mistake, however, Stoker is not about a kill joy approach to music. “God never intended Christians to live cloistered.” (pg. 25)

Stocker goes on to trace the emotional, physical and spiritual impact of music, often quoting secular experts and personal experiences to add flavor. He explores various musical genres, and the question of Christian vs. secular music. He understands that the attitude and ethos created by the song conveys some meaning, but ultimately the lyrics make the predominant difference. Yet “God is not in one thing and not in the other”, and so even secular music can be redeemed for His purposes.

The meat of the book comes in his discussion of the working guidelines he’s come up with for his family. They are:

  • What do the lyrics say?
  • What picture does the song paint?
  • What is the mood or feel of the song?
  • Will the song cause others to stumble?
  • Who is the artist or group?

Stocker is careful to convey that a firm, hard line is not easy to achieve. He prefers to discuss these questions with his son Nathan, and together agree on the verdict. Ultimately he has parental veto power, however. Including the children in the decision both empowers them and teaches them how to exercise discernment for themselves.

Stocker finishes the book by encouraging Christians everywhere to take the copyright laws seriously when it comes to music.

Some additional helpful features of the book include the chapter recaps, notes by 13 year old Nathan Stocker sharing his perspective on music at various points in the book, and a chapter exercise for working through the five guidelines and applying them with an actual song. The book also includes some helpful resources in the end-notes.

Before I close this review, I would want to encourage parents to pick up this book and use it as a tool in developing their own approach to how to parent their children when it comes to the arena of music. Stocker’s exhortation is worth quoting here at some length:

God has placed great importance and responsibility on your parental position within the family. Therefore, it is not OK to allow your children to listen to lyrics that could poison their souls. Think of it this way: you would never allow your children to drink gasoline even if it was their choice to do so. Neither should you let your children drink music that could cripple them forever. (pg. 58)

I can’t recommend this book more. It could perhaps have included a bit more material, but that’s the only complaint I’d have. It reads very easy, and manages to tackle a difficult topic with grace. It is immensely helpful, and definitely worth picking up at Amazon.com, or direct from Kregel Publications.

Disclaimer: This book was provided by Kregel Publications for review. I was under no obligation to offer a favorable review.

“The Lightlings” by R.C. Sproul

Have you ever wondered why stories have such power to move us? Why children sit mesmerized when they hear a fairy tale, and why people inevitably share their own personal stories when they get together?

Stories move us because we are part of a bigger story, “The Story”. As Christians, we know the beginning and the end of that story, and all its major plot twists and turns. We don’t know exactly how our life story will fit into it, but we have faith that it will.

R.C. Sproul has the gift of storytelling, and has written several stories for children. In The Lightlings, Sproul tells “The Story” by means of an allegory. He casts the world as peopled by lightlings, children of the King of Light. He depicts the fall, and their flight into darkness. He then paints a beautiful picture of a baby full of light, who is to be the Light of the World. This allegory is applied to children well by Sproul’s setting it as a story told to a child wondering why he is afraid of the dark. The answer is a tale told by his grandfather, and then applied to the child’s own circumstances at the end of the book.

The story is beautiful and has numerous points of contact with the true Biblical story of creation, fall and redemption. At the end of the book, several discussion questions are listed with Biblical verses in a “For Parents” section. These points don’t exhaust the allegory but open it up to those who may be more unfamiliar with the Biblical meta-narrative depicted in the tale.

The illustrations by Justin Gerard are stunning. He captures light well, which is necessary in illustrating this particular story. The pictures are attractive to kids of all ages, and depicting the lightlings as fairies helps the story compete with other children’s tales that remain ever popular.

Christian parents must seek to get as many Christian resources as possible into the hands of our children. This book will provide opportunities to discuss the Gospel with children of all ages, particularly those in preschool and elementary school. And if you like this story, Sproul has other allegorical children’s books available as well.

I wish more children’s books today were like The Lightlings. The power of the story is not as often used as it should in capturing the hearts of our children. I cannot recommend this book more highly. If you have children, it is definitely a must have tool for the Christian parent.

Pick up a copy of this book at Amazon.com, Westminster Bookstore or directly from Reformation Trust.

Disclaimer: This book was provided by Reformation Trust Publishing for review. The reviewer was under no obligation to offer a favorable review.

“The Narnia Code: C.S. Lewis and the Secret of the Seven Heavens” by Michael Ward

https://www.amazon.com/gp/product/1414339658?ie=UTF8&tag=fundamerefo0d-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=1414339658Do you remember when you first read The Lion, the Witch and the Wardrobe by C.S. Lewis? Many people, like me, trace their love of fantasy fiction back to that moment. As I gobbled up each of the seven books of the Chronicles of Narnia series, I entered a world of knights, chivalry, valor, magic and wonder — that awakened in me a fresh wonder at the divine influence in all of life.

As I went on to other fantasy tales, largely by Christian authors such as J.R.R. Tolkien and Stephen Lawhead, I encountered more intricate worlds and elaborate tales than what I found in Narnia. But the overt symbolism in the first Narnian tale, hinted at so much more beneath the surface of the Narnia tales. Reading Lewis’ space trilogy I once again encountered symbolism that I couldn’t quite grasp, but that was alluring and powerful nonetheless.

So a few years ago, when I learned of a new book by Michael Ward entitled Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis, I was captivated and just had to get it. That scholarly tome, whose hardback edition boasted 347 pages and almost 60 pages of endnotes, was a delight to work through. Bit by bit, Ward shared the thrill of his discovery — the long sought after, unifying key to the Narnia stories. It was a bit of a chore to go through all the scholarly citations, but along the way I learned a great deal about all of Lewis’ works, not just the Narnian chronicles.

Now, however, the fruit of Ward’s scholarly research is available for a wider, general market audience. Based on an earlier documentary/DVD, Tyndale House has published an accessible paperback entitled The Narnia Code: C. S. Lewis and the Secret of the Seven Heavens.

I was able to pick up this smaller book from Tyndale. It’s only 191 pages with an easy to read font. To be sure, some of the finer points from Planet Narnia don’t find their way into the condensed edition. Still, one will find all the joy (and significance) of Ward’s discovery, a fascinating explanation of the pre-Copernican planetary model, and a detailed exposition of each Narnian chronicle according to the new insights gained from Ward’s study. The interested reader could certainly move on from The Narnia Code to Planet Narnia if he or she so chose, but most will be satisfied by the tale as told in the smaller work.

I don’t want to ruin the book by explaining in detail all of Ward’s discoveries. I will just note that he finds a planetary connection between Lewis the scholar’s appreciation for the pre-Copernican view of the planets as influencing mankind in various ways, and Lewis the author’s intricate method of creating a unique atmosphere that permeates each of his seven Narnian tales.

I can say this, however, you will be convinced by Ward’s discovery. And it will give new life to the Chronicles of Narnia. You’ll never read them the same way again. And Christ’s glory will be seen anew in all its wonder, illuminated in many small yet wonderful ways by Lewis’ intricate crafting of these wildly popular stories.

Before I close, let me recommend you see a short video clip of Michael Ward explaining his vision for The Narnia Code. I highly recommend the work. You can pick up a copy at Amazon with any Christmas money you’re itching to spend.

Disclaimer: This book was provided by Tyndale House Publishers for review. The reviewer was under no obligation to offer a favorable review.

“Galatians (Zondervan Exegetical Commentary on the New Testament)” by Thomas R. Schreiner

Bible commentaries abound today. Scores of commentaries confront the would-be expositor of any book of the Bible, and almost nobody blinks at a new series of commentaries anymore. It goes without saying that the relative value of a given commentary is all over the map, and here perhaps more than anywhere else, a discerning eye is called for.

You guessed it, I’m getting ready for the “but you have to check out this new commentary series” line. But I really mean it. The new Zondervan Exegetical Commentary on the New Testament (ZECNT) series will live up to any amount of hype one can dig up. I’ve reviewed several commentaries, I own bits and pieces of a score of commentary sets, and have examined others besides, yet this series promises to be a true must-have, when it comes to exegetical commentaries.

Like many other students of Scripture, I’ve been schooled in Greek, but that was some time ago. I also aim to fix an opinion on any passage I plan to teach. But with the amount of scholarly material one must evaluate, the task can be a bit daunting. Opening a commentary for answers can lead to far more questions than originally conceived. And some commentators stand out for their pious, know-it-all approach to informing us of their thoughts on the subject.

In sharp contrast, Thomas Schreiner in his ZECNT commentary on Galatians, excels at making the task of studying and making judgments easy. He provides all the relevant arguments on a given question, both the pros and cons. He defends positions that he ultimately rejects, all in the effort of explaining what is at stake and how to best see the big picture in a given exegetical question.

The clarity and candor on display in Schreiner’s work is complemented by the brilliant (can I use that term of a commentary?) ordering of material conceived by the ZECNT editors. After allowing for an in-depth introduction to set the stage for the book, each unit of the text is addressed in such a way as to best help the teacher or preacher work through the material of the Text and see connections to the overall outline of the book, catching the flow of the larger argument. Greek is used throughout but never in an over the top way. Almost universally, the Greek follows the English, and the effect is to draw one into the Greek arguments more easily, encouraging and promoting the revival of long-forgotten Greek exegetical skills.

Each section begins with a literary context of the unit and a tie in to the over-arching outline of the book. Then the main idea is summarized in a few sentences. The English translation of the text is next given in a special graphical layout which highlights the relationship between the various clauses and phrases which make up the text. Following this, the structure of the textual unit is discussed and a more detailed exegetical outline is provided for the text just before a detailed explanation of the text (with footnotes) is offered. Finally, a pastoral application section concludes the discussion on the passage at hand. Theology is thus applied to life in a masterful way, which will help guide the teacher and pastor to make appropriate and relevant applications from the exegetical study he undertakes.

At the end of the commentary the major themes of the book are discussed, giving an overview, or summary of all that Galatians has covered. This section is a miniature biblical theology in a sense, and will be of great value to those seeking a bigger picture view of the book, before they dive into the separate pieces.

Now on top of all the positive things I’ve mentioned up to this point, Zondervan is to be commended for choosing a competent and careful scholar to pick up his pen for the Galatians commentary. Thomas Schreiner has written books on the question of Paul’s use of the Law, and on the more practical side of how the OT Law relates to Christians. He also is one who’s publicly disputed the New Pauline Perspective, standing for a conservative, Reformed view of justification by faith and imputation. The expertise and faithfulness Schreiner has shown over the years makes him eminently qualified to write this book. And furthermore, his attitude and style in writing remains irenic, open and fair-minded, even when he stands forcefully against a contemporary exegetical trend.

The problem passages are many in Galatians, and Schreiner succeeds in navigating them well. I’m particularly impressed by how the book maintains a pastoral perspective throughout. I shouldn’t be surprised, however, since Schreiner himself is a preaching pastor even as he fills the roles of professor of NT and associate dean of Scripture and interpretation for Southern Baptist Theological Seminary. A fine combination of learning and grace exude from the man himself and this book.

I can’t recommend the work more highly, and I’m now interested in checking out other titles of this exceedingly useful commentary series. If the Galatians volume is truly representative of the larger series, then the Zondervan Exegetical Commentary of the New Testament series is truly a must-have resource for the exegetically minded pastor and teacher.

Pick up a copy of this book at Amazon.com, Westminster Bookstore or directly from Zondervan.

Disclaimer: This book was provided by Zondervan for review. The reviewer was under no obligation to offer a favorable review.