I have read my fair share of kids’ story books. I’ve read about talking pigs and meandering puppies, about cats with hats and showers of noodles. Christian books come in almost as wide a variety too, from talking vegetables to time travelers and more. But I have never heard of a book about the fish Peter caught for Jesus — the fish that had money in its mouth, remember? This unique story is what you’ll find in Timothy: A Little Fish with a Big Purpose!
It takes a pretty imaginative mind to think of a back-story to the fish with a coin in its mouth! Author Brad Riley pulls off an intriguing yet captivating tale with a moral. The illustrations by Krystahl Goodale are bright and fresh, and the result is a captivating picture book with a story that will interest adult readers.
The book seems designed for children too young to read. I have the kindle version, but even that makes it seem like this is more of a picture book than a story with pictures. And while the stories will capture the interest of little readers, the story is more involved than most picture books. Riley also takes liberties with the story, and children should be cautioned that this is just a guess at what the fish might have been thinking. Some may think the story is overly done and that too much is made of the imaginative angle. But this is a story that will spark conversation and that is saying something for a kids’ picture book that comes in at only 30 or so pages.
I was fascinated and delighted by the tale, even if I didn’t totally buy the author’s take on the story. I thought the illustrations were bright, colorful and engaging. Little hearts will be directed to Jesus and the place of faith in the reading of this book, and for that reason I hope it gains a wide audience.
Disclaimer: This book was provided by the publisher for review. I was under no obligation to offer a favorable review.
About Book Briefs: Book Briefs are book notes, or short-form book reviews. They are my informed evaluation of a book, but stop short of being a full-length book review.
Simonetta Carr has done it again. She has given us a superb historical biography of an important figure in Christian History written for young readers. And once again, an older reader like me, has enjoyed it as much or more than the intended audience.
Anselm of Canterbury is now the sixth title in the “Christian Biographies for Young Readers” series, a set of superbly illustrated and beautifully crafted hardcover books for children. Reformation Heritage Books is to be thanked for providing this coffee-table-quality set of treasures. I’ve previously reviewed Athanasius and Lady Jane Grey. This work on Anselm is even better than the two earlier works I read. Perhaps his story is more intriguing or less known, but I found the work even more captivating than the previous volumes, while the artwork was as engaging and the history as fascinating as ever.
Anselm became the unwilling archbishop of Canterbury who would rather have lived a life of solitude. Instead he served his fellow man and his church and state superiors. Known for his teaching and his care of the sick and the poor, Anselm is best remembered for his book Cur Deus Homo (Why God-Man?). In this book he develops his satisfaction theory of the atonement, providing a well reasoned argument for why Jesus had to become the God-man. In the simplified explanation of Simonetta Carr:
According to Anselm, even one “small” disobedience to God is greater than many worlds. Only one person could save people from this terrible problem–someone who was fully God, so He could live a perfect life and take the terrible punishment for all the sins of others, and fully man, because it was man who sinned, so man should repay. That’s why Jesus, who is fully God, became fully man for us. (p. 43)
As the above excerpt shows, Carr’s writing is suitable for older children and doesn’t dumb down history to be accessible. She aims to unfold the study of history for young readers but her care for accuracy prevents her from adjusting the story to be simpler and easier. She presents the real history, with its conundrums and questions, for her young readers. This title raises the question of the role of church and state, and the function of the Roman Catholic pope. She satisfactorily explains the quandary of church relations with the state, but only briefly sketches the nature of the papacy. In doing so she provides a platform for careful parents to engage their kids in the informed assessment of church history without overly simplifying complex debates and forcing premature conclusions.
Like the other titles in the series, period maps and illustrations illuminate the pages of her book. Masterful illustrations by Matt Abraxas and engaging full color photographs spark the imagination. Also included are excerpts of Anselm’s writings and interesting facts about the customs and lifestyle of his time period.
If you pick up a copy of this book, you will want to pick up the entire set. Books on Augustine of Hippo, John Calvin, and John Owen are also available. I hear she is working on John Knox as the next biography in this important series. I highly recommend this book and encourage you to pick up the entire series. You can get a deal on the first five books of the series over at Westminster Bookstore, where you can also pre-order the volume on Anselm.
Disclaimer: This book was provided by the publisher for review. I was under no obligation to offer a favorable review.
About Book Briefs: Book Briefs are book notes, or short-form book reviews. They are my informed evaluation of a book, but stop short of being a full-length book review.
If you’ve read the Chronicles of Narnia, you’ll remember the character, Eustace. He’s a weasel of a boy who enjoys being a brat to his cousins. He is transported to Narnia and there meets Aslan, and becomes a different person altogether. His story is clearly analogous to the Christian life. He is confronted with the gospel and then is progressively transformed into the image of who Aslan desires him to be.
This post will try to bring together two ideas surrounding this. First, the incredible power of story to convey the realities of the gospel. Second, I want us to think closely about Lewis’ account of Eustace’s “conversion” and appreciate anew the beauty of sanctification and the gospel of grace.
To illustrate the power of story, consider this quote from Michael Flaherty, president of Walden Media. In this interview, he comments about the making of the movie for The Voyage of the Dawn Treader. I found this section of the interview fascinating. It reveals how counter-cultural grace truly is – and the power of story to bring it home to people in a powerful way.
You Patrick Henry [College] students have all read Dawn Treader, and you know that in it God’s grace is a strong theme. You know that Eustace becomes a dragon because, Lewis writes, he gave in to his own dragonish thoughts. So we’re talking with the screenwriter and director and someone says, “Before Eustace gets un-dragoned, let’s have him fight another dragon, and as a reward for him fighting that other dragon and beating him, Aslan will un-dragon him.” I knew there was no way we could talk these guys out of having another dragon in the movie, so I said, “Why don’t we do it another way? Why don’t we have that fight and have Eustace do something incredibly cowardly—retreat, leave everyone in danger—and then Aslan will un-dragon him.” They looked at me as if I had said the craziest thing in the world, and they asked, “Why would anybody give somebody something they didn’t deserve? And that’s when I realized the opportunity for stories and how much work we have ahead of us as believers—to explain grace and to explain that undeserved favor that we get from the Lord.
For how exactly we see the gospel and sanctification in Eustace’s story, I turn to G.K. Beale. Beale’s massive biblical theology of the NT is not where you’d expect to find a treatment of Eustace and his “un-dragoning,” but again the power of story allows Beale to illustrate Paul’s teaching about the Christian life perfectly by this.
The true believer is someone who is no longer an unbelieving “old man” but instead is a believing “new man.”…
C.S. Lewis pictures this theological reality in his Voyage of the Dawn Treader. The character Eustace was a very spoiled boy who had become so enamored with a dragon’s treasure that he became the dragon itself. Lewis’s point is that Eustace’s transformation into a dragon represented his dragon-like heart. In a subsequent scene, Lewis depicts Aslan, the messianic lion, leading Eustace up to a mountain, at the top of which is a garden (echoing the garden of Eden) and a big pool of water with marble steps leading down into it (reflecting a baptismal scene). Aslan tells Eustace to undress himself by shedding his dragon skin and go into the water. Eustace realizes that he has no clothes, except for his dragon skin. So he begins to scratch off a layer like a snake sloughs off its old skin. But after doing so, he still looks like a dragon, with dragon skin. So he scratches off the next layer, but he still appears as a dragon; so he scratches off yet a third layer of scales, but he cannot change the fact that he is still a dragon. No matter how hard he tries, Eustace has no ability to change his dragon-like nature.
Finally, Aslan tells Eustace to lay down, and he will remove his dragon skin once for all:
The very first tear he made was so deep that I thought it had gone right into my heart. And when he began pulling the skin off, it hurt worse than anything I’ve ever felt…. Well, he peeled the beastly stuff right off — just as I thought I’d done… — and there it was lying on the grass: only ever so much thinker, and darker, and more knobbly looking that the others had been…. Then he caught hold of me and… threw me into the water…. After that… I’d turned into a boy again. After a bit the lion took me out and dressed me. [C.S. Lewis, The Voyage of the Dawn Treader (Harper Trophy, 1994), 115-116]
Afterward, Eustace rejoins his friends, and he apologizes for his bad, spoiled behavior: “I’m afraid I’ve been pretty beastly.” [Lewis, 117] With regard to Eustace’s subsequent behavior, Lewis concludes,
It would be nice, fairly nearly true, to say that “from that time forth Eustace was a different boy.” To be strictly accurate, he began to be a different boy. He had relapses. There were still many days when he could be very tiresome. But most of those I shall not notice. The cure had begun. [Lewis, 119-120]
Lewis’s description is clearly his attempt to represent the biblical portrayal of the reality that people, on the basis of their own innate ability, cannot do anything to take out their old, fallen, sinful heart and create a new heart for themselves. Only God can bring people back to Eden and create them anew in the last Adam, and when he does, the bent of one’s desires and behavior begins to change and to reflect the image of the God who has re-created them into a new creation. Immediate perfection does not come about, but a progressive growth in doing those things that please God does occur. [G.K. Beale, A New Testament Biblical Theology (Baker, 2011), 847-849]
This is food for thought, and may be cause for you to consider reading through the Chronicles of Narnia, again. (And if you haven’t read through them, shame on you! But now’s your chance!)
Book Details:
• Author: Devon Brown
• Category: Literature
• Publisher: Abingdon Press (2012)
• Format: softcover
• Page Count: 208
• ISBN#: 9781426749490
• List Price: $14.99
• Rating: Highly Recommended
Review: I remember the first time I entered the world of Middle-earth. I was twelve or thirteen and noticed an interesting little yellow book on my mother’s shelf. I’m not entirely sure if she ever read it or not — as that kind of book was not what I remember her reading. But I asked if I could read it and eagerly dove in. At that age I don’t believe I was even aware there was a sequel to the book. But from the first few moments I was hooked.
Fantasy literature isn’t everyone’s cup of tea, and all books in the genre of fantasy are not created equal. Few rise to the level of art achieved by J.R.R. Tolkien. His books, The Hobbit and The Lord of the Rings, are among the most widely read in the English language. And like countless readers of Tolkien before me, I found the world he crafted to be enchanting and alluring.
Tolkien’s world, the land of Middle-earth, is a place readers long to return to. Yet spending time in Middle-earth is not an exercise in futility or a way to check out of the here and now. In an ironic fashion, Tolkien’s world inspires noble efforts in the real world, and calls us all to live better and nobler lives.
Tolkien scholar Devon Brown, elaborates on this quality of Tolkien’s works:
…it might also be argued that the biggest reason his works have been so deeply loved, both in the previous century and the present one, is because they not only entertain readers — they also enrich their readers’ lives and make them more meaningful. (p. 11)
A Christian world?
Brown explores the world Tolkien made in a new book The Christian World of the Hobbit (Abingdon Press, 2012). In this work, he demonstrates how Tolkien’s Christian worldview bleeds through his written works and permeates the world he made. This aspect of Tolkien’s work is puzzling to many. His books have almost no references to God or anything remotely similar to church or religion, and yet they are hailed by many as Christian novels advocating a Christian worldview. Sure there is a fight between right and wrong, and right wins — but is that enough to classify the book as Christian?
Brown’s analysis uncovers abundant clues from the author himself, both inside the covers of his books, as well as from his own reflections and letters about them, which put this question to rest. Tolkien’s use of the term “luck” and “good fortune” is an ironic way to point the reader toward the conclusion that it wasn’t just luck or fortune, but Someone behind it all. Gandalf’s statement to Bilbo on the final page of The Hobbit makes this clear: “You don’t really suppose, do you, that all your adventure and escapes were managed by mere luck, just for your sole benefit?” Brown points out that Tolkien as much as acknowledges this in one of his letters:
In a letter, Tolkien offers this additional statement about the veiled power at work in both The Hobbit and The Lord of the Rings: “The story and its sequel are… about the achievements of specially graced and gifted individuals. I would say… ‘by ordained individuals, inspired and guided by an Emissary to ends beyond their individual education and enlargement.’ This is clear in The Lord of the Rings; but it is present, if veiled, in The Hobbit from the beginning, and is alluded to in Gandalf’s last words. (Letters 365)” (pp. 49-50)
Additional evidence is found in Tolkien’s statements about his work being “fundamentally Christian” in nature:
“The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision” (Letters 172). [p. 24]
“I am a Christian” and then adds in parentheses “which can be deduced from my stories” (Letters 288). [p. 26]
Tolkien’s work is Christian at its core, but not in a superficial manner. Tolkien despised allegory, and would frown on much of what passes as Christian fantasy today. Brown considers works of this type as merely “Christianized.” In contrast, Tolkien’s thoroughly Christian worldview shapes the very fabric of his stories in a subtle yet profound way. And Tolkien did desire his readers to entertain that worldview for themselves after encountering it in his stories.
Brown also explores the morality inherent in Tolkien’s view of Middle-earth. The struggle to better one’s self plays a prominent role throughout the story. Bilbo Baggins is no ordinary hero, conquering by his skill with the sword and enduring thanks to his bravado and courage. Instead Bilbo takes on himself and wins. He faces the darker parts of his heart head on: he steps out of his cottage to begin the adventure, he resists the greed and selfishness that entice him to abandon his companions, and ultimately he finds a life spent in service of others is the only truly satisfying way to live.
Evaluation
This book is well-written, lucid and clear. And the artistic touches throughout make it a pleasure to interact with – even in the Kindle version. It abounds with quotations from Tolkien’s work and letters, and includes pertinent quotes from other Tolkien scholars. The life of Tolkien, and his own Christian journey are recounted, as well as his famous literary society and its influence on his career. C.S. Lewis features prominently in the book – as he both knew Tolkien as a friend and appreciated his literary output (Brown is also a Lewis scholar). Throughout the book, Brown’s first-rate grasp of Tolkien scholarship is apparent and yet he manages to keep the book very accessible.
For those who have read The Hobbit more than once, Brown’s work will be a joy to read. Even if you are familiar with Tolkien’s work only through the films by Peter Jackson, reading The Christian World of the Hobbit may spur you on to read the books that have endeared themselves to generations of readers. J.R.R. Tolkien was a Catholic Christian, but his view of morality and Divine providence as conveyed through his stories, is something evangelical Christians will appreciate. Brown allows us to enter Tolkien’s universe with a well trained eye, ready to see the glimmers of the Christian worldview that permeates it all. I thoroughly enjoyed reading this book and highly recommend it.
Author Info: Devin Brown is a Lilly Scholar and a Professor of English at Asbury University where he teaches a class on Lewis and Tolkien. He is the author of Inside Narnia (2005), Inside Prince Caspian (2008), and Inside the Voyage of the Dawn Treader (2010). He has spoken at Lewis and Tolkien conferences in the UK and the U.S. Devin has published numerous essays on Lewis and Tolkien, including those written for CSLewis.com, ChristianityToday.com, SamaritansPurse.org, and BeliefNet.com. Devin earned a PhD at the University of South Carolina and currently lives in Lexington, Kentucky.
Once again William Boekestein has given us a fantastic book for children. The Glory of Grace: the Story of the Canons of Dort is his third book in a series from Reformation Heritage Books. Each book is illustrated by Evan Hughes and looks at the historical background to one of the confessional statements that make up the “all three titles. You won’t be disappointed.
Disclaimer: This book was provided by Reformation Heritage Books. I was under no obligation to offer a favorable review.
About Book Briefs: Book Briefs are book notes, or short-form book reviews. They are my informed evaluation of a book, but stop short of being a full-length book review.
I have read my fair share of kids’ story books. I’ve read about talking pigs and meandering puppies, about cats with hats and showers of noodles. Christian books come in almost as wide a variety too, from talking vegetables to time travelers and more. But I have never heard of a book about the fish Peter caught for Jesus — the fish that had money in its mouth, remember? This unique story is what you’ll find in Timothy: A Little Fish with a Big Purpose!
