Tag: Narnia

Eustace, the Gospel and the Power of Story

~ Bob Hayton ~ 2 Comments

If you’ve read the Chronicles of Narnia, you’ll remember the character, Eustace. He’s a weasel of a boy who enjoys being a brat to his cousins. He is transported to Narnia and there meets Aslan, and becomes a different person altogether. His story is clearly analogous to the Christian life. He is confronted with the gospel and then is progressively transformed into the image of who Aslan desires him to be.

This post will try to bring together two ideas surrounding this. First, the incredible power of story to convey the realities of the gospel. Second, I want us to think closely about Lewis’ account of Eustace’s “conversion” and appreciate anew the beauty of sanctification and the gospel of grace.

To illustrate the power of story, consider this quote from Michael Flaherty, president of Walden Media. In this interview, he comments about the making of the movie for The Voyage of the Dawn Treader. I found this section of the interview fascinating. It reveals how counter-cultural grace truly is – and the power of story to bring it home to people in a powerful way.

You Patrick Henry [College] students have all read Dawn Treader, and you know that in it God’s grace is a strong theme. You know that Eustace becomes a dragon because, Lewis writes, he gave in to his own dragonish thoughts. So we’re talking with the screenwriter and director and someone says, “Before Eustace gets un-dragoned, let’s have him fight another dragon, and as a reward for him fighting that other dragon and beating him, Aslan will un-dragon him.” I knew there was no way we could talk these guys out of having another dragon in the movie, so I said, “Why don’t we do it another way? Why don’t we have that fight and have Eustace do something incredibly cowardly—retreat, leave everyone in danger—and then Aslan will un-dragon him.” They looked at me as if I had said the craziest thing in the world, and they asked, “Why would anybody give somebody something they didn’t deserve? And that’s when I realized the opportunity for stories and how much work we have ahead of us as believers—to explain grace and to explain that undeserved favor that we get from the Lord.

For how exactly we see the gospel and sanctification in Eustace’s story, I turn to G.K. Beale. Beale’s massive biblical theology of the NT is not where you’d expect to find a treatment of Eustace and his “un-dragoning,” but again the power of story allows Beale to illustrate Paul’s teaching about the Christian life perfectly by this.

The true believer is someone who is no longer an unbelieving “old man” but instead is a believing “new man.”…

C.S. Lewis pictures this theological reality in his Voyage of the Dawn Treader. The character Eustace was a very spoiled boy who had become so enamored with a dragon’s treasure that he became the dragon itself. Lewis’s point is that Eustace’s transformation into a dragon represented his dragon-like heart. In a subsequent scene, Lewis depicts Aslan, the messianic lion, leading Eustace up to a mountain, at the top of which is a garden (echoing the garden of Eden) and a big pool of water with marble steps leading down into it (reflecting a baptismal scene). Aslan tells Eustace to undress himself by shedding his dragon skin and go into the water. Eustace realizes that he has no clothes, except for his dragon skin. So he begins to scratch off a layer like a snake sloughs off its old skin. But after doing so, he still looks like a dragon, with dragon skin. So he scratches off the next layer, but he still appears as a dragon; so he scratches off yet a third layer of scales, but he cannot change the fact that he is still a dragon. No matter how hard he tries, Eustace has no ability to change his dragon-like nature.

Finally, Aslan tells Eustace to lay down, and he will remove his dragon skin once for all:

The very first tear he made was so deep that I thought it had gone right into my heart. And when he began pulling the skin off, it hurt worse than anything I’ve ever felt…. Well, he peeled the beastly stuff right off — just as I thought I’d done… — and there it was lying on the grass: only ever so much thinker, and darker, and more knobbly looking that the others had been…. Then he caught hold of me and… threw me into the water…. After that… I’d turned into a boy again. After a bit the lion took me out and dressed me. [C.S. Lewis, The Voyage of the Dawn Treader (Harper Trophy, 1994), 115-116]

Afterward, Eustace rejoins his friends, and he apologizes for his bad, spoiled behavior: “I’m afraid I’ve been pretty beastly.” [Lewis, 117] With regard to Eustace’s subsequent behavior, Lewis concludes,

It would be nice, fairly nearly true, to say that “from that time forth Eustace was a different boy.” To be strictly accurate, he began to be a different boy. He had relapses. There were still many days when he could be very tiresome. But most of those I shall not notice. The cure had begun. [Lewis, 119-120]

Lewis’s description is clearly his attempt to represent the biblical portrayal of the reality that people, on the basis of their own innate ability, cannot do anything to take out their old, fallen, sinful heart and create a new heart for themselves. Only God can bring people back to Eden and create them anew in the last Adam, and when he does, the bent of one’s desires and behavior begins to change and to reflect the image of the God who has re-created them into a new creation. Immediate perfection does not come about, but a progressive growth in doing those things that please God does occur. [G.K. Beale, A New Testament Biblical Theology (Baker, 2011), 847-849]

This is food for thought, and may be cause for you to consider reading through the Chronicles of Narnia, again. (And if you haven’t read through them, shame on you! But now’s your chance!)

“The Narnia Code: C.S. Lewis and the Secret of the Seven Heavens” by Michael Ward

~ Bob Hayton ~ 2 Comments

https://www.amazon.com/gp/product/1414339658?ie=UTF8&tag=fundamerefo0d-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=1414339658Do you remember when you first read The Lion, the Witch and the Wardrobe by C.S. Lewis? Many people, like me, trace their love of fantasy fiction back to that moment. As I gobbled up each of the seven books of the Chronicles of Narnia series, I entered a world of knights, chivalry, valor, magic and wonder — that awakened in me a fresh wonder at the divine influence in all of life.

As I went on to other fantasy tales, largely by Christian authors such as J.R.R. Tolkien and Stephen Lawhead, I encountered more intricate worlds and elaborate tales than what I found in Narnia. But the overt symbolism in the first Narnian tale, hinted at so much more beneath the surface of the Narnia tales. Reading Lewis’ space trilogy I once again encountered symbolism that I couldn’t quite grasp, but that was alluring and powerful nonetheless.

So a few years ago, when I learned of a new book by Michael Ward entitled Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis, I was captivated and just had to get it. That scholarly tome, whose hardback edition boasted 347 pages and almost 60 pages of endnotes, was a delight to work through. Bit by bit, Ward shared the thrill of his discovery — the long sought after, unifying key to the Narnia stories. It was a bit of a chore to go through all the scholarly citations, but along the way I learned a great deal about all of Lewis’ works, not just the Narnian chronicles.

Now, however, the fruit of Ward’s scholarly research is available for a wider, general market audience. Based on an earlier documentary/DVD, Tyndale House has published an accessible paperback entitled The Narnia Code: C. S. Lewis and the Secret of the Seven Heavens.

I was able to pick up this smaller book from Tyndale. It’s only 191 pages with an easy to read font. To be sure, some of the finer points from Planet Narnia don’t find their way into the condensed edition. Still, one will find all the joy (and significance) of Ward’s discovery, a fascinating explanation of the pre-Copernican planetary model, and a detailed exposition of each Narnian chronicle according to the new insights gained from Ward’s study. The interested reader could certainly move on from The Narnia Code to Planet Narnia if he or she so chose, but most will be satisfied by the tale as told in the smaller work.

I don’t want to ruin the book by explaining in detail all of Ward’s discoveries. I will just note that he finds a planetary connection between Lewis the scholar’s appreciation for the pre-Copernican view of the planets as influencing mankind in various ways, and Lewis the author’s intricate method of creating a unique atmosphere that permeates each of his seven Narnian tales.

I can say this, however, you will be convinced by Ward’s discovery. And it will give new life to the Chronicles of Narnia. You’ll never read them the same way again. And Christ’s glory will be seen anew in all its wonder, illuminated in many small yet wonderful ways by Lewis’ intricate crafting of these wildly popular stories.

Before I close, let me recommend you see a short video clip of Michael Ward explaining his vision for The Narnia Code. I highly recommend the work. You can pick up a copy at Amazon with any Christmas money you’re itching to spend.

Disclaimer: This book was provided by Tyndale House Publishers for review. The reviewer was under no obligation to offer a favorable review.

Quotes to Note 2: The Importance of Wicked Step-mothers

~ Bob Hayton ~ 2 Comments

I recently added a books widget from GuruLib (check out my “Books I’m Reading” section in my sidebar). And one of the books I note that I’m reading is Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis by Michael Ward. I heard about the book from Justin Taylor’s blog, and the few pages I’ve read so far are fascinating.

In starting this book, I stumbled over a quote which has grabbed my attention. As a father of four daughters, the oldest being 4 (and a half), and as one who enjoys a good tale, I found this quote equally insightful and inspiring. It is from the contemporary British philosopher Alasdair MacIntyre from his book After Virtue:

It is through hearing stories about wicked stepmothers, lost children, good but misguided kings, wolves that suckle twin boys, youngest sons who receive no inheritance but must make their own way in the world, and eldest sons who waste their inheritance on riotous living and go into exile to live with the swine, that children learn or mislearn both what a child and what a parent is, what the cast of characters may be in the drama into which they have been born and what the ways of the world are. ¹

What do you think? I think he is making an important point, and stories are more important than we realize.

 ¹ Ward quotes a portion of this quote on pg. 3 in his book citing After Virtue: A Study in Moral Theory (London: Duckworth, 1985), pg. 216. My longer quote comes from a chapter by MacIntyre entitled “The Virtues, The Unity of a Human Life, and the Concept of a Tradition” in the book Memory, Identity, Community: The Idea of Narrative in the Human Sciences edited by Lewis and Sandra Hinchman (State University of New York Press: 1997) found with Google Book Search.