Book Briefs: “The Love of Loves in the Song of Songs” by Philip Ryken

If you were to list the most popular books of the Bible — those most preached from or commented on — would Song of Solomon make your list? Probably not. In his new book The Love of Loves in the Song of Songs, Philip Ryken points out that in actuality for most of Church history (up through the 1600s), Song of Solomon would find its place near the top of that list (p. 44)! This is surprising to anyone familiar with Solomon’s Song because no book in the Bible is more sure to bring redness to the face when read aloud in mixed company! Indeed the book is a collection of love poems centering on the relationship between a man and woman, which like many love poems can be quite suggestive and evocative (almost erotic).

For those who need help in understanding and appreciating the Song of Solomon I recommend picking up Philip Ryken’s new book The Love of Loves in the Song of Songs. This book helpfully includes the entire biblical text (ESV) of Song of Solomon alongside Ryken’s easy to read devotional thoughts on this fascinating (and often troubling) book.

In earlier eras of the church, Song of Solomon was often interpreted allegorically as a way to sanctify its use in the church. Ryken approaches the Song in a similar way noting that it “awakens a desire for intimacy that can be satisfied only by a personal relationship with the living God.” (p. 44). He notes how sexual imagery is often used to describe Israel’s rejection of the exclusive worship of Jehovah. And marriage itself is a picture both of God’s relationship with Israel, and more especially (from our perspective) Christ’s relationship with the Church. Yet Ryken stops short of reading the book allegorically: there are parallels between the relationship between Christ and the Church in the relationship idealized in Song of Solomon, but there is also something to be learned with regard to human relationships as well.

The context of the love relationship described is, according to Ryken, a covenant marriage: he affirms that the book upholds traditional Christian teaching that sexuality is intended to flourish within (and only within) a marriage between a man and a woman. Ryken also holds that the book uses Solomon as an ideal figure but the relationship described is not necessarily Solomon’s. He doesn’t speak too dogmatically on that interpretive point, however. Ryken does draw out important lessons from the book with regard to singleness, purity, engagement and marriage — and more.

But Song of Solomon is more than a marriage manual or typological description of Christ and the Church. It is poetry. Ryken often describes the book as a collection of song lyrics: “Read this book the way you read the liner notes to an album of love songs” (p. 31-32). Ryken masterfully reads the poetry and follows the Hebrew text to spell out who is talking and sets the stage, so we can follow along and enjoy the love poems and their underlying story.

One other point deserves mention with respect to Ryken’s handling of the text. Ryken does not eagerly proclaim Song of Solomon as a manifesto on sexual liberation. Instead he finds its instruction on marital love appropriately muted by the poetic nature of the book, and not as graphic or explicit as quite a few modern writers envision.

I thoroughly enjoyed reading Love of Loves. It rekindled my appreciation for Solomon’s Song. I highly recommend it.

Pick up a copy of this book at any of the following online retailers:
Westminster Bookstore, Amazon, ChristianBook.com, or direct from Crossway.

Disclaimer: This book was provided by the publisher. The reviewer was under no obligation to offer a positive review.

About Book Briefs: Book Briefs are book notes, or short-form book reviews. They are my informed evaluation of a book, but stop short of being a full-length book review.

In the Box: New Titles from Crossway Books

“In the Box” posts highlight new books I’ve received in the mail.

In this post, I want to showcase two of the new titles that at arrived at my doorstep in the last few weeks. I’m truly blessed to be able to read so many great books, and Christian publishers seem to never let up in their race to get high quality materials out the door. We are truly blessed with an abundance of Christian resources to help us in our walk with Christ.

The Love of Loves in the Song of Songs by Philip Ryken

This book is a meditation on Song of Solomon, and helpfully includes the entire biblical text (ESV) of that book. Ryken’s style is easy to read and he shares a wealth of insight from others on this fascinating (and often troubling) book. I appreciate that from the start he does not shy away from appreciating the parallels between Christ and the Church that have historically dominated the interpretation of this book, even as he rejects outright allegoricalism. He also does not eagerly proclaim the book as a manifesto on sexual liberation either, finding its instruction on marital love appropriately muted by the poetic nature of the book, and not as graphic or explicit as quite a few modern writers envision.

UPDATE: Read my review of this book here.

For more about this book, check out the book’s product page at Westminster Bookstore, Christianbook.com, Amazon or Crossway Books.

Note: This book is currently 50% off at Westminster Bookstore.

Parenting with Loving Correction: Practical Help for Raising Young Children by Sam Crabtree

The next Crossway title I received is by Pastor Sam Crabtree of Bethlehem Baptist Church in Minneapolis (where I was a member for several years). Knowing Pastor Crabtree personally, I am eager to dig into this work. Like the title of his other book Practicing Affirmation, Pastor Sam is warm and encouraging, and I expect his parental advice to be refreshing and uplifting – while also insightful.

To learn more about this book, check out the book’s product page at Westminster BookstoreChristianbook.com, Amazon, or Crossway Books.

Note: This book is currently 40% off at Westminster Bookstore through Feb 28.

“Ecclesiastes and Song of Songs (Living Word Bible Studies)” by Kathleen Buswell Nielson

Book Details:
  • Author: Kathleen Buswell Nielson
  • Category: Bible Studies
  • Publisher: P & R Publishing (2009)
  • Format: Spiral bound
  • Page Count: 177
  • ISBN#: 9781596381490
  • List Price: $12.99
  • Rating: Highly Recommended

Review:
I have not read many women’s Bible studies. But from what I have seen, I can surmise that many deal with all sorts of things beyond the plain text of Scripture. Kathleen Buswell Nielson in her studies, sticks to the text of Scripture and teaches women how to grapple with and understand the text. Her study, Ecclesiastes and Song of Songs: Wisdom’s Searching and Finding, is part of her own series, the Living Word Bible Studies originally written with her own ladies’ class in mind.

The book is a spiral bound book but nicely done with a deluxe softcover that is nice to hold. It opens up flat which makes it more suitable for jotting down notes in the ample spaces provided during the studies.

The book begins with an introduction to the two books to be studied, and then an introduction to poetry, where Nielson makes some insightful comments. “If God inspired so much poetry in these books… then it must be important and good for us to take in the poetic form with understanding and enjoyment.” (pg. xv) She also points out that the hallmark of Hebrew poetry ” parallelism, is uniquely suite for translation, as rhyme and meter won’t as easily be conveyed in a receptor language.

Then Nielson gives an introduction to each book followed by a series of lessons followed with five days of home work (questions and answers with assigned reading). With Ecclesiastes she sides with the view that the “Preacher” is Solomon, this is “an educated guess”, based on the available evidence. She sees the “Preacher” as being on a journey towards faith “with higher and lower voices pulling back and forth until the resolution at the end” of the book. (pg. xix) The study questions are insightful and take one beyond the confines of the individual book itself, often referencing other verses and encouraging a practical application of the passage being studied.

For Song of Solomon, Nielson aims to take the Song literally first an then to use marriage as the key to applying the book more broadly and to be “spurred on in our love for God, who loves us so amazingly in Christ Jesus.” (pg. 131)

The book includes a “Notes for Leaders” section which stresses the primacy of the text, the role of the church, and other more practical matters. A suggested outline of both books is included along with suggested memory passages. She then gives a note on translations and a list of recommended study helps.

I was quite impressed by the quality of the scholarship revealed in this little book. It would make the backbone of a great study for women (or men even), on these two OT Wisdom books. Nielson’s approach is both devotional and scholarly, and aims for the hearers to apply the knowledge gained. This is a faithful study and should prove to be a blessing and a help for women’s Bible studies or Sunday School classes. I am happy to recommend this work.

Author Info:
Kathleen Buswell Nielson holds M.A. and Ph.D. degrees in literature from Vanderbilt University and a B.A. from Wheaton College. She has taught in the English departments at Vanderbilt University, Bethel College (Minnesota), and Wheaton College. She is the author of numerous Bible studies, as well as various articles and poems. Kathleen has directed and taught women’s Bible studies at several churches, speaks extensively at women’s conferences and retreats, and serves on the board of directors of Focus on the Family. Kathleen is married to Dr. Niel Nielson, president of Covenant College in Lookout Mountain, Georgia. Kathleen and Niel have three sons.

Where to Buy:
  • Westminster Bookstore
  • Christianbook.com
  • Amazon
  • P & R Publishing

Related Media:
  • Book Preview
  • Author’s Website

Disclaimer:
This book was provided by P & R Publishing for review. I was under no obligation to offer a favorable review.

John Sailhamer’s Messianic Interpretation of the Song of Solomon

I came across the NIV Compact Bible Commentary and was delighted to find that John Sailhamer was its author. I’ve so enjoyed his The Meaning of the Pentateuch, that I picked up his commentary on the Pentateuch. I’m going to have to pick up this compact Bible commentary of his as well.

I was able to read the section on the Song of Solomon and was fascinated by Sailhamer’s insights, which I plan to share here. The following quotes are from his treatment of the book on pages 359-361 in the NIV Compact Bible Commentary (Zondervan, 1994), emphasis added.

Sailhamer begins by briefly recounting the traditional figurative interpretations of the book and the quite literal modern interpretations.

Although it is, on the face of it, just that–an ode to human love–one must ask whether it was originally intended to be read as such by its first audience. There are some indications within the book itself that suggest it was not…. There is no question that the book is a poetic drama of a lover’s longing for his beloved and of her willing complicity. To suggest, however, that this drama of two lovers is, in fact, the intent of the book is to confuse the poetic imagery with the purpose of the poem.

He is careful to say that this does not “justify the wholesale allegorizations of the poem that have characterized much of its history.” He admits the picture of the relationship of God/Christ with Israel/the Church, is a wonderful picture, but avers “there are no clues within the book itself to support such a reading. In the last analysis, one’s interpretation should come from within the book itself, and preferably from the clues given by the author himself.”

Sailhamer goes on to uncover several clues which do confirm that there is more to the Song than may meet the natural eye, however. He first points out from the overall structure of the book, that “the ‘reflections of love’ of the lover and the beloved do not progress and build in intensity in the course of the poem itself.” This is no average love story. He also argues that “though the poetic imagery comes close at times to suggesting the lover and his beloved have in fact come together and joined themselves in that union that they so longingly describe, the structure of the book itself suggests that has not yet happened.” Rather, the “lovers’ quest is an ideal, a longed-for desire that lies beyond their own grasp.”

Setting aside these preliminary observations for the moment, we come to Sailhamer’s focus on the “larger structural movement given to the poem by the author.” The repeated refrain throughout the book reads, “Do not arouse or awaken love until she [NIV, it] so desires” (2:7b; 3:5b; 8:4b). The meaning of this refrain comes from its connection to 8:5b where the author links it with the last statements made by the beloved (the woman): “Under the apple tree I roused you; there your mother conceived you, there she who was in labor gave you birth.” In this connection, Sailhamer sees an allusion to two other key biblical texts: the prologue of Proverbs (chapters 1-9), and the account of the Fall in Genesis 3.

If an illusion [sic] is intended to these passages, it suggests that “the beloved” in the Song of Solomon is intended to be understood as a personification of “wisdom” and Solomon, or “the lover,” is intended as a picture of the “promised seed” of Ge 3:15, i.e., the Messiah.

He goes on:

What appears to have happened in the composition of the Song of Songs is that the author has seen in this love-song the possibility of a portrait of Israel’s long-awaited messianic king. Solomon, the son of David (cf. 2Sa 7:16), whose quest for wisdom characterizes the central core of the book of Proverbs, speaks in the prologue of that book of binding wisdom to himself and on his heart (Pr 3:3; 7:1-3) in the same way that in this book [Song of Solomon] the beloved says, “Place me like a seal over your heart, like a seal on your arm” (8:6). Moreover, in Proverbs Solomon says, “Say to wisdom, ‘You are my sister'” (Pr 7:4), just as here the beloved says, “If only you were to me like a brother” (8:1). An extended comparison of these two books suggests that these are not mere coincidental similarities of words and phrases, but rather a deliberate “inter-textuality,” or allusion of one text to another. Such verbal links and allusions between the personified Dame Wisdom in the book of Proverbs and the young beloved in the Song of Songs invite our attempts to see a larger purpose behind this love song. I have suggested that such a purpose is to be found in the growing messianic hope found in these sections [i.e. the Wisdom Literature] of the OT.

Thus far then, Sailhamer has shown “the Song of Songs is intended as a portrait of the promised Messiah’s love for divine wisdom.” He goes on:

The Messiah is here pictured by Solomon, and “wisdom” is personified by the young and beautiful beloved. Throughout the poem the notion of love is idealized by the fact that its obtainment lies in the future. The quest for wisdom was aroused “under the apple tree” (8:4a), probably an allusion to the time of the Garden of Eden when the first woman “saw that the fruit of the tree was…desirable for gaining wisdom [and] she took some and ate it” (Ge 3:6). The obtainment of wisdom, however, will come only when one like Solomon comes to claim his beloved.

Sailhamer also sees the reference to “there your mother conceived you, there she who was in labor gave you birth” (8:5b) as suggesting that the author of the Song of Solomon “also understood both the promised ‘seed’ in Ge 3:15 and the reference to Eve as ‘the mother of all living’ (Ge 3:20) messianically.”

The result of these inter-textual links, “if… intended by the author of this book” then,

would place this song on a quite different level than that of an ode to human love. It would, in fact, give credence to the traditional attempts to see more in this poem than meets the eye. It would also provide some guidelines along which the symbolism of the book is to be read.

One final argument supports Sailhamer’s conclusions:

Finally, such a reading of the book would also provide needed insight into the underlying justification for the book’s inclusion into the OT. There is general recognition today that the time of the formation of the OT canon coincided with a significant surge in the hope of the imminent return of the messianic king. This book was included in the canon, one might say, because it was intended as a picture of the Messiah.

I am not one to discount seeing the Divine Author’s hand behind the human book as intentionally foreshadowing future covenant realities. I would see no problem in taking Sailhamer’s lead and affirming that this authorial intent was expanded in the wisdom of God, to allow the book as we have it in our Bible to suggest analogies between Christ and the Church. Think of the many songs that have been written culling from the poetic imagery of this Song of Songs.

Still, I had never seen Sailhamer’s reasoning for seeing a human authorial intent behind the Song of Solomon including an explicit Messianic connection. I’d be interested to know, if any of my readers knows whether Sailhamer has written more explicitly of this connection. The section on the Song is only a few pages long in the NIV Compact Bible Commentary. Along these lines, I’d also love to know what you think of this. Does this ring true to you? Or do you think Sailhamer is off base?

You can pick up a copy of this little book at Amazon.com or direct from Zondervan.

“Reclaiming the Old Testament for Christian Preaching” edited by Kent, Kissling & Turner

Over the last few decades, a revival of interest in the Old Testament seems to have come over the evangelical church. Numerous resources for preaching the Old Testament and for understanding the various genres we find in the first two thirds of our Bibles have been produced. The tide is turning, and more and more we hear of careful preaching through the Old Testament again.

We still have a long way to go, however. Most conservative pulpits major on the New Testament. After all, the relevance of NT books to the Christian living today is much more apparent. Popular expositors have even given us commentary after commentary on the New Testament, to the almost complete exclusion of the Old Testament. Theology-heavy sermons from the doctrinal portions of the New Testament can serve to keep people out of touch with the reality of the story of Scripture. And ironically, in an age where everybody’s story has value, the grand overarching storyline of the Bible is silenced by the Church’s neglect of the first 39 books of her Bible.

Many of the resources being published that are seeking to revive a focus on the Old Testament are locked away in scholarly tomes or couched in some liberal theological garb, effectively kept away from the average pastor’s and Bible teacher’s reach. A new book by InterVarsity Press aims to bring scholarly resources into an accessible and highly useful format. Reclaiming the Old Testament for Christian Preaching, edited by Grenville J.R. Kent, Paul J. Kissling and Laurence A. Turner, actually manages to live up to its title’s bold claim. In an accessible and user-friendly format, the book brings together contributions from a wide array of OT scholars.

After a brief introduction, the book moves on to cover OT narrative plot, OT narrative characters, the Law, Lament, Praise Poetry, Wisdom literature, the Song of Solomon, Isaiah, Ezekiel, Apocalyptic literature, and the Minor Prophets. It also has a chapter on preaching from difficult texts and another on preaching Christ from the Old Testament. The chapters aren’t too long or overly detailed; instead, they are delightfully readable. They are structured in such a way as to clearly convey the primary difficulties and recommended approaches for the particular genre surveyed. Almost all the chapters include helpful footnotes and recommendations for further study. And each concludes with an example sermon which puts the theory into practice.

As I read through this book, I kept earmarking page after page where helpful insights were shared about the various parts of the Old Testament. The sections covering narrative plot and characters were especially helpful and full of examples. Laurence Turner stressed placing each narrative in context to its larger narrative, and on sticking to the flow of the author as much as possible when developing a sermon. Paul Kissling discussed a unique strategy of comparing the speech of the characters over and against the narrator’s account, as a way of finding the main point of a given story. Christopher J.H. Wright’s chapter on preaching the Law was also superb. He stressed the connection Law has with grace as seen in the historical setting given in the Pentateuch. He also unpacked the lesser-known missiological aspects of the Law: namely, Israel living out God’s Law as a testimony to the nations, and the application this has to the Church today.

Federico Villanueva’s chapter on Lament was particularly insightful as he writes from the standpoint of a non-Westerner (he ministers in Manila). Tremper Longman’s chapter on wisdom literature, particularly his discussion of Ecclesiastes and Job, was also very helpful in finding ways to grasp the main point of these books and how best to apply it to today’s Christians. Similarly, Grenville Kent’s discussion on the Song of Solomon was also very helpful. Even though he steers clear of a direct allegorical interpretation, he finds value in analogy and metaphor. His discussion of where God makes an appearance in the Song, and why, is worth quoting here:

So if Yahweh had appeared directly in the Song, the culture may well have misunderstood him as condoning fertility religion or even as just another fertility god. The Song clearly separates worship and sex. it is ‘a non-mythological, non-cultic, non-idolatrous, outright, open celebration of God-given sexual love’. (pg. 130, quote from John G. Snaith The Song of Songs (Eerdmans, 1993), pg. 5.)

The chapter on Isaiah, by H.G.M. Williamson did a great job stressing the literary unity of Isaiah. He traced the theme of righteousness and justice showing how such wide themes inform the specific context of any given passage in the book. Daniel Block challenges us to preach Ezekiel, and offers several helpful charts and analyses of the book and its central message. Alison Lo gave a wonderful, yet brief treatment of the Minor Prophets. She excelled at relating the context and themes of those books to today’s world and its problems. She also discussed the interrelation of the books as a wider whole (the “book of the twelve”), and provided a fascinating outline of Zephaniah.

Gordon Wenham’s discussion of various “difficult texts” in the Old Testament was in the whole, masterful. Some may disagree with his stance on Gen. 1 — explaining the wider context of the ideas about the world of the time (and thus not getting into a discussion of whether the six days are literal 24 hour days), but his comments on the imprecatory psalms, the “eye for an eye” law, apparent divine-sanctioned genocides, and OT slavery are both helpful and wise. R.W.L. Moberly’s chapter on preaching Christ from the Old Testament cites a lot of material that applies to this concern. He stresses that the wider context of the Old Testament includes the canonical grouping of the books and their use by the Church. He sees a second narrative (the NT) interpreting the original narrative in a sense similar to a detective story where at the end, all the initial elements of the plot make perfect sense. He also allows for imagination to impact interpretation and helpfully walks through some examples in how to think through this in a practical manner.

The chapters in the book are not all of equal value. The praise poetry, and apocalyptic literature sections were not as helpful to me. Some of the contributors may not be as immediately accessible as others. But the beauty of this book is how it offers a manual for the preacher who is choosing an OT text to preach. This book won’t be the only resource consulted, but it offers a sensible approach and several helpful points for encountering just about any text in the Old Testament. Throughout, it stresses a literary and canonical approach that focuses on the Old Testament we have, not imagined historical reconstructions. This ensures the book’s usefulness by people of a variety of particular persuasions within evangelicalism.

I trust tools such as Reclaiming the Old Testament for Christian Preaching, will encourage many pastors to pick an OT book for their next sermon series. This book will prove useful for any Bible student, and I highly recommend it. May the beauty of the Old Testament captivate the hearts and minds of more teachers and preachers, and be preached with power to the congregations that God has entrusted to their care.

Disclaimer: This book was provided by Inter-Varsity Press for review. I was under no obligation to offer a favorable review.

Pick up a copy of this book at Amazon.com or through IVP direct.