Tag: style

Clarifying My Thoughts on Music

~ Bob Hayton

My most recent post on music has a provocative title: “Superior Affections Yet a Christ-less Conception of Worship.” And someone over at Sharper Iron sought clarification (in the comment thread here) as to whether I was really implying that a traditional stance on music is inherently legalistic.

I wanted to share my clarification here for my readers’ benefit.

Clarification

I quoted Bixby for the “Christ-less” remark in my post. I do think discussing the music issue and having ordinate affections and all, would be healthy for evangelicalism as a whole. The criticism is valid that often there is not much thought given to where we are with music and worship.

That being said, there is a danger to have such an emphasis on form that it obscures the gospel. I do think that is a danger as well.

Berating people and badgering people into having a certain music style is not healthy. Bixby was saying as much. Is RAM doing that, or some RAM type people? I am not sure. But that is not healthy if/when it occurs.

Additionally, having pride in our worship or thinking we are superior because of it would be a gospel problem. Legalism is in the heart so this is a danger that can exist. Maligning others and impugning them with ill motives, which is how the public statements often sound from RAM / traditional music emphasizing fundamentalists when they speak of those who use the other music. It goes back to Chuck Phelps’ letter and the anonymous hit piece on NIU that RAM posted. Those are examples of judging motives and assuming the worst of those who utilize contemporary styled music in worship.

To quote from my post which was referring to Bixby’s:

If you have preferred traditional music, his post will help you examine your own heart. It will also show how this stance toward the worship wars can so easily turn into a pharisaicalism that looks down on others and in turn, becomes an empty shell of externally focused religion.

The point is that one can have what is considered “superior affections” and yet have a Christ-less conception of worship – a legalistic attitude. I am not claiming that RAM has this. I think Bixby brings out some good points and may overstate his case some, but in my experience it is usually the followers who take what someone says and run with it to an extreme. So I bet there are real examples behind the excesses Bixby chronicles and denounces in his post.

Hopefully that explains things. Discussing the role of affections and the role of music can be a healthy thing for the evangelical church. Often people just assume and do, rather than carefully consider. The careful considering I have done on the issue has made me a better worshiper and I think a greater influence in evangelicalism by fundamentalists in general – on lots of things, would be a good thing.

Then some follow up questions were asked and I thought I’d share my response to those here as well. I don’t want to be misunderstood and this is an important conversation – even if it is difficult not to talk past one another and be misunderstood in our zeal for our particular musical position.

Are you saying that if you have a “standard” for worship action (never mind whose for a minute), you are maintaining a “legalistic” and “Christ-less” concept of worship? I’m not trying to put words in your mouth, but it seems like that’s where you are going.

I am not saying a “standard” makes one legalistic. A standard can be so exalted and gloried in that we rejoice that we aren’t like the publican who doesn’t adopt our standard. That is when it becomes legalistic. How one lifts up and rallies around and promotes the said standard can go a long way to promoting or encouraging the legalistic response to it. But just having a standard or drawing a line at some point, doesn’t mean that legalism will be the inevitable result.

However, wouldn’t you have to say, whether you have thought through it or not, that you have some “standard” of worship, even among those who are trying to have Christian worship; where in your conscience you say “this can be used to bring honor to God”, or “this doesn’t honor the Lord”, or “it doesn’t do anything for me” or however you want to say it.

Yes there is a standard, I would think, at our church. The line isn’t extremely clear but pastoral direction would be given and has been given in shaping the musical philosophy at our church and others I’ve been to in the past.

How do you think a less conservative standard of worship affects the unsaved? Those who have been saved out of a background of extreme love of the world and sin?

Our worship isn’t about the unsaved. I hope they would encounter a reverence and exultation in Jesus when they see our worship however. As for those saved out of a background of “extreme” love of the world and sin? Our worship is so different from what they are used to when it comes to sensual lyrics, sensual musical performance, stage lights, etc., that I don’t think there is a strong enough correlation in their mind.

Today, if you go to the dentist, go to a shopping mall, eat at Wendys, attend a ball game, go to a bowling alley, pop music and a syncopated beat is everywhere. It is the air we breathe. And for that reason, I contend, that it has become just a normal part of the culture. Heavily sensual beat, gyrating dance, intense and very loud music – that is part of the club scene and has characteristics quite different from what you hear in the doctor’s waiting room.

All of that means is that the average Joe who comes to hear our syncopated worship songs, won’t think anything inherently strange or sinful is happening. It is the music expression he is used to – his language. The lyrics and God-ward direction from the worship leader(s) will be what is new, and powerful, and attractive. And he’ll also encounter older hymns, and choral pieces that are different to his average experience that also communicate the depth of church history and the grandeur of worshiping a holy God.

What if someone in your worship team wants to perform secular music in secular venues as well?

Certain kinds of secular music don’t necessarily have to be seen as immoral. But it would depend on the type, the context, etc. It hasn’t come up in churches I’m aware of, or a part of. But consideration would be given for sure. Do we have to have a rule book which says you can’t do X, Y and Z outside of Sunday’s serivce and Saturday’s practice times, in order to be a faithful church? How about we disciple people and respond in biblical wisdom to situations as they arise?

Feel free to jump into the conversation in the comments below, or over at Sharper Iron.

Superior Affections Yet a Christ-less Conception of Worship

~ Bob Hayton ~ 7 Comments

There are a variety of reasons for the “worship wars,” as they are called. And for fundamentalist Christians, most of the arguments center on the worldliness or immorality of the very musical instrumentation itself — the contemporary, beat-driven sound that makes up CCM. Growing up, I was trained to recognize a strong beat in musical accompaniment and to envision that anyone singing to such music was worldly. As I started thinking through the subject in more detail, I wanted to find a Biblical argument for my stance against pop musical styles. And Frank Garlock and David Cloud had to suffice. Even then, I could see the arguments were quite weak, so most of the rationale had to depend on an analysis of the psychological affect of rock music on people and of all things, potted plants. Yes, plants!

Well, after I walked away from strict fundamentalism and re-evaluated my position on cultural matters in light of an open-minded examination of the Bible, I came to embrace contemporary worship and I was then able to really enjoy worshiping God in music to a whole new degree. I encountered deep, Christ-exalting lyrics (more meaningful to me than some of the shallow and almost trite hymns we sang growing up). And the music resonated with me – it moved me. It was like speaking in the language of my own culture — which I had been trained to deny and put down, but that really was a part of who I was. I was able to express myself in worship, to lift up my soul and exult in new, powerful ways. And I have since come to really appreciate the contemporary worship song for all its worth.

Don’t get me wrong. I still value the old hymns, and I value traditional music as well. I sing in choirs and enjoy harmony and special numbers. I also don’t enjoy any new song, indiscriminately. There is a lot of shallow music without much doctrinal depth out there, for sure. But there are some great songs which bridge the gap between traditional and contemporary. I have written, years ago now, on the Modern Hymn movement. UPDATE: USA Today just did a piece on the Gettys who I also feature in the article linked above. And I still enjoy a balanced worship approach that seeks to unite styles and generations, as well as ethnic affinities, together into a blended, unified, corporate celebration of worship. And I appreciate John Piper’s emphasis on gravity alongside our gladness in worship too.

Now, to the point of my post, after having come to where I am now on worship, I became aware of a newer position on music in fundamentalism. This position eschewed some of the more Gospel-ish hymns, and didn’t take to the sentimental songs that were written in the late 1800s and early 1900s. They took to more doctrinal-centered, high sounding hymns. And they also stressed “religious affections” — an approach which majored on appropriate feeling in worship, and stressed that God desired the best aesthetics in music. I didn’t get sucked into that movement, although it did seem appealing and intellectual. But it didn’t sit well, especially when it was not Scripture that was judging between various music forms but research and supposed universal aesthetic principles.

I say this to encourage anyone who is following me here, to go read Bob Bixby’s recent post pointing out some grave errors in this “religious affections” approach to music. This approach stresses that there is a right way of feeling, and that how you sing and what you sing in church, reveals if you are having right feelings toward God. It sounds right, but it isn’t. Of this movement, Bixby notes:

They’re separatists by condescension. They don’t practice separation; they practice superiority. And that separates them….

Theirs is a Christ-less conception of worship. It’s Gospel-free. It’s enraptured by form. It’s old-school fundamentalism. And it has little to do with the religious affections that Jonathan Edwards wrote about.

Bixby’s piece is worth reading if you have ever tended toward frowning on contemporary worship styles. If you have preferred traditional music, his post will help you examine your own heart. It will also show how this stance toward the worship wars can so easily turn into a pharisaicalism that looks down on others and in turn, becomes an empty shell of externally focused religion.

I have to quote one more bit from Bixby’s post before encouraging you to read the whole thing.

Consider the God-ward, God-glorifying form of the Pharisee in Luke 18:9-14. “I thank thee God that I am not like that poor Chris Tomlin singer over there who shuts his eyes and lifts up his hands with the pitiful, artless, crude hip-swaying style of corrupted orthopathy.” Ah, yes! The feelings of thankfulness were genuine in the Pharisee. He had, in fact, religious affections of sincere gratitude that God — indeed, he credited God! — had not made him as that poor loser in the corner, crying out to God with bad poise, seemingly unconscious of God’s glorious transcendence and preference for hymns. No one had more concern about form worthy of God than the Pharisee. No one.

Now if you really want more after reading Bixby, you could try to wade through this old post in my archives, with its 50 plus pages of debate on the subject of the morality of music! But you probably have better things to do!

On Blended Worship: Intentionally Mixing Music Styles to the Glory of God

~ Bob Hayton ~ 9 Comments

A recent comment concerned music styles and the worship wars. The three way split, envisioned by the commenter included the following.

1) Those want to do nothing but maintain the status quo, whether that is the contemporary style that is now familiar (with no new forms like Christian rap), or a traditional hymn-focused style — this group wasn’t going to budge from their stance.
2) Those who want to move back to the psalmic/hymnic tradition handed down to us from the early church — this group was further described as “Conservative Christianity”.
3) Those who allow for anything within the worship service.

What is missing from this list is “Blended Worship”. Why is it that we have to worry about being “comfortable” in our style? What about loving others and using styles that are accessible to others? Certain styles or songs may move me more than others, but they may hit other people where they are at more readily than they do for me. That has been my view of the issue for the last five years or more, now.

On this front, here are some quotes from documents on worship from my old church, Bethlehem Baptist Church, pastored by John Piper.

Because we value the importance of old and new , historic and current, we will pray that “the Holy Spirit may lead us into ways of worship that are continuous with the historic witness of worship given to the church throughout its history in the world, and at the same time He may lead us into the discovery of new forms and patterns that meet the needs of the people of our day” (R. Webber, “Worship Old and New” ). We will continue to be a “both/and” people that cherishes all the richness and freshness that comes from God.

Because we value the importance of both head and heart in our worship experience , we will continue to fill our minds with Biblical thinking about God, others, ourselves, and life, while at the same time putting renewed and greater emphasis on giving expression to our heart’s affections for God during worship.

Because we value being a singing people with growing appreciation for diverse expressions of love for God, we will use as many musical styles and forms as are helpful to worship and respond to God appropriately, as we seek the “significant range” of “at-homeness” referred to in Fresh Initiative #2. We will encourage whole-hearted participation by the entire congregation in all parts of the worship service, as the defining sound of Bethlehem worship becomes the singing voices of all God’s people praising Him.

Because we value increasing in a humble willingness to support others whose tastes are different than ours, we will put understanding above accusation, forbearance above faultfinding,and Biblical unity above the demand for uniformity. We will create opportunities for God’s reality to be conveyed more powerfully by learning to affirm the forms and styles that edify our brothers and sisters. Our relationships of love for each other will lead us to patiently support and rejoice with those who appreciate other styles, believing that God is able to meet us in the context of any Christ-exalting worship style.

Because we value growing in appreciation of both fine and folk elements in worship, we will strive to affirm the strengths and avoid the weaknesses inherent in both forms. We will worship within the range of gifts that God bestows on us, never compromising spiritual qualifications for aesthetic considerations, as we pursue undistracting excellence in spiritual leadership.

Because we value a determination to welcome people different from ourselves for the sake of Christ, we will continue to embrace God’s call for visible manifestations of love toward each other and our neighbors, providing opportunities before, during and after the service to reach out to those God would have us touch.

Because we value being more indigenous to the diversity of our metropolitan cultural setting, both urban and suburban, we will seek ways to communicate and worship that allow for a significant range of diversity in those whose worship is driven by a passion for the supremacy of God in all things.

Sunday morning worship is a corporate expression of our passion for the supremacy of God. We sense God’s leading to develop fresh expressions of this passion that 1) allow for a more focused and free lingering of love in the presence of the Lord; 2) reflect musically the diversity of our congregation and our metropolitan culture; 3) interweave the values of intense Godcenteredness and more personal ministry to each other in the power of the Holy Spirit. The following clarify our worship distinctives at Bethlehem:

We will continue with one common worship service format, “that with one accord [we] may with one voice glorify the God and Father of our Lord Jesus Christ.”

Our worship life will have a “defining center,” with significant range on either side of that center, resulting in a broader worship life than in the past that people can comfortably call “home.”

The mingling of historic and contemporary music No church or service can be all things to all people. But we do not value stylistic narrowness. We believe there are affections owing to God that different tunes and different texts and different genres may awaken better thanothers. We will strive to be who we are without exalting our own tastes as the standard of excellence or power. We will see God’s guidance in each worship setting to be both indigenous and stretching.

The last paragraph was excerpted from What Unites Us in Worship, and the other paragraphs were excerpted from Bethlehem’s Philosophy of Worship. There is a lot more in the philosophy document than what I’ve shared, but these sections focus on “blended worship”.

What do you think? Does your church emphasize a “blended worship” style?

In Christ Alone by Stuart Townend & Keith Getty

~ fundyreformed ~ 29 Comments

I recommend many modern hymns & contemporary songs for corporate worship. While the old hymns are certainly grand, the new songs God is giving to the church, are worthy of respect too.

~~~~~~

I’ve begun highlighting different worship songs we sing at Bethlehem Baptist Church each week, here on my blog. This Sunday, the song right before the message was one of my favorites, “In Christ Alone.” Please read the powerful lyrics.

In Christ Alone

by Keith Getty & Stuart Townend

IN CHRIST ALONE my hope is found,
He is my light, my strength, my song;
This Cornerstone, this solid Ground,
Firm through the fiercest drought and storm.
What heights of love, what depths of peace,
When fears are stilled, when strivings cease!
My Comforter, my All in All,
Here in the love of Christ I stand.

In Christ alone! – who took on flesh,
Fullness of God in helpless babe!
This gift of love and righteousness,
Scorned by the ones He came to save:
Till on that cross as Jesus died,
The wrath of God was satisfied —
For every sin on Him was laid;
Here in the death of Christ I live.

There in the ground His body lay,
Light of the world by darkness slain:
Then bursting forth in glorious Day
Up from the grave He rose again!
And as He stands in victory
Sin’s curse has lost its grip on me,
For I am His and He is mine —
Bought with the precious blood of Christ.

No guilt in life, no fear in death,
This is the power of Christ in me;
From life’s first cry to final breath,
Jesus commands my destiny.
No power of hell, no scheme of man,
Can ever pluck me from His hand;
Till He returns or calls me home,
Here in the power of Christ I’ll stand!

CCLI Song # 3350395,  © 2001 Thankyou Music (Admin. by EMI Christian Music Publishing)

I would put this song right up there against any hymn, I mean any. It is a modern hymn extraordinaire. I hope meditating on this song will be a blessing to you.

Song Resources:
Story behind the Song: Here and here, and here
Sheet Music: Hymnal style, Piano style, Free simple score
Song Book: In Christ Alone Songbook (includes Across the Lands, O Church Arise, The Power of the Cross, and more)
Listen to the MP3 for free: At rhapsody.com, or try another rendition
MP3 purchase links: Here (via Amazon.com) and here (from Getty Music).
Authors’ Websites: GettyMusic.com & StuartTownend.co.uk
CD purchase links:
In Christ Alone (first sample above) – Amazon.com or direct from Getty Music