Tag: writer

Book Briefs: “John Newton (Christian Biographies for Young Readers)” by Simonetta Carr

~ Bob Hayton ~ Leave a comment

John Newton (Christian Biographies for Young Readers) by Simonetta Carr

The Christian Biographies for Young Readers series introduces children to key figures from church history. Author Simonetta Carr offers a compelling and beautifully illustrated historical account of the life of each Christian figure profiled in the series. To date, the series includes volumes on Church fathers (Irenaeus, Augustine of Hippo, Athanasius, Anselm of Canterbury), Reformation leaders (John Calvin, Martin Luther, Peter Martyr Vermigli, and John Knox), Reformation era heroines (Lady Jane Grey and Marie Durand), and Puritan notables (John Owen and Jonathan Edwards). The latest volume adds John Newton, to this last category.

John Newton has quite the life story! Kids will be intrigued by his adventures as a sailor, conscripted British Navy-man, and even would-be slave trader. Newton’s pre-conversion days read a little like Gulliver’s travels, but he ends up committing himself to Christ as a result of a brush with death in a near shipwreck.

Newton is best remembered, of course, for his incredibly famous hymn “Amazing Grace”. And this book also highlights his friendship with fellow hymn-writer William Cowper. What is not so widely known about Newton was his influence in the abolition of the slave trade. Carr details how William Wilberforce was influenced by Newton both personally and professionally. Newton was called on as a special witness by British Parliament two times in the years leading up to the eventual end of the slave trade in Great Britain.

Having read many of her works, I appreciate Simonetta Carr’s attention to detail and focus on historical accuracy — evident in this latest book as well. And this book is chuck full of photographs, beautiful illustrations, maps and more. Two of Newton’s letters to his young niece are included, as is a picture of an original handwritten leaf from his Olney Hymns.

The book will introduce young readers to the legacy of John Newton, but it educates and enlightens older readers as well. For instance, did you know that “Amazing Grace” was written to accompany a New Year’s message on the text 1 Chronicles 17:16-17 where David says “Who am I, O Lord God, and what is mine house, that thou has brought me hitherto?” (p. 56). I was particularly moved by the emphasis she placed on Newton’s own simple epitaph he wanted for his memorial:

John Newton clerk. Once an infidel and libertine, a servant of slaves in Africa, was by the rich mercy of our Lord and Saviour Jesus Christ, preserved, restored, pardoned and appointed to preach the faith he had long labored to destroy. (p. 54)

This book deserves a place in church or school libraries, and would make a great addition to your coffee table or personal bookcase. If you haven’t picked up a title in the Christian Biographies for Young Readers series, now would be a good time. You won’t be disappointed with John Newton. I highly recommend it.

Pick up a copy of this book at any of the following online retailers: Amazon, Westminster Bookstore, or direct from Reformation Heritage. Find other works in this series (and other titles from Simonetta Carr) at Westminster Bookstore or direct from Reformation Heritage.

Disclaimer: This book was provided by Reformation Heritage Books. The reviewer was under no obligation to offer a positive review.

About Book Briefs: Book Briefs are book notes, or short-form book reviews. They are my informed evaluation of a book, but stop short of being a full-length book review.

Tim Keller on a Gospel View of Work

~ Bob Hayton

Every Good Endeavor: Connecting Your Work to God's Work by Tim KellerLiving out the Christian life on Monday morning is just about the hardest thing there is to do. Everything can seem so great on Sunday. The worship music is great, the time spent in the Bible so precious, and the pastor’s message equal parts (hopefully) convicting and inspiring. But when the alarm goes off on Monday morning, many of us have a problem bringing Sunday with us throughout the week.

Tim Keller’s new book Every Good Endeavor: Connecting Your Work to God’s Work (Dutton, 2012), goes a long way toward helping out those of us who find ourselves immersed in the work-a-day world. I can’t launch off into a full review of this excellent work at the moment, but I wanted to excerpt some of Keller’s thoughts on how a gospel worldview can help us look at our work in a different way.

To be a Christian in business, then, means much more than just being honest or not sleeping with your coworkers. It even means more than personal evangelism or holding a Bible study at the office. Rather, it means thinking out the implications of the gospel worldview and God’s purposes for your whole work life — and for the whole of the organization under your influence. (168-169)

So when we say that Christians work from a gospel worldview, it does not mean that they are constantly speaking about Christian teaching in their work. Some people think of the gospel as something we are principally to “look at” in our work. This would mean that Christian musicians should play Christian music, Christian writers should write stories about conversion, and Christian businessmen and -women should work for companies that make Christian-themed products and services for Christian customers. Yes, some Christians in those fields would sometimes do well to do those things, but it is a mistake to think that the Christian worldview is operating only when we are doing such overtly Christian activities. Instead, think of the gospel as a set of glasses through which you “look” at everything else in the world. Christian artists, when they do this faithfully, will not be completely beholden either to profit or to naked self-expression; and they will tell the widest variety of stories. Christians in business will see profit as only one of several bottom lines; and they will work passionately for any kind of enterprise that serves the common good. The Christian writer can constantly be showing the destructiveness of making something besides God into the central thing, even without mentioning God directly. (179-180)

Of all the ways the Christian faith affects work, the realm of the worldview is the most searching and yet also the hardest to put into practice. All Christians live in cultures and work in vocational fields that operate by powerful master narratives that are sharply different from the gospel’s account of things. But these narratives work at such a deep level that their effects on us are hard to discern. An American who first moves to a foreign country is shocked to discover how many of her institutions and practices that she considered common sense and universal are actually particularly American ones — and are ridiculous to many other people. By living in another culture she gets a new vantage point from which she can be critical of herself, and as a result she will slowly change, dropping some attitudes and adopting others.

Becoming a Christian is a lot like moving to a new country; only it is more profound, because it gives us a new perspective on every culture, every worldview, and every field of work. In the long run, the gospel helps us see everything in a new light, but it takes time to grasp and incorporate this new information into how we live and pursue our vocations. And we can be sure that this ultimate learning experience will never truly end; we are told the angels themselves never tire of looking into the gospel to see new wonders (1 Peter 1:10-12). (181-182)

You can pick up a copy of this book at any of the following online retailers: Westminster Bookstore, Christianbook.com, Amazon, Barnes & Noble, or direct from Dutton (Penguin).

Book Excerpt — Singing the Songs of Jesus: Revisiting the Psalms by Michael LeFebvre

~ Bob Hayton

I’m reading through a new Christian Focus book entitled Singing the Songs of Jesus: Revisiting the Psalms by Michael LeFebvre. In this book, the author explains why singing the Psalms was so precious to saints through all ages, prior to the rise of the 18th century hymnwriting movement. LeFebre succeeds in making the Psalms come alive and in equipping the modern church with tools for recovering the use of the Psalms.

I wanted to offer an excerpt which has captivated me. LeFebvre describes the difference between singing to Christ, and singing with Christ. He avers that when Christians sing the Psalms, we are singing with Christ in a unique way.

You can learn more about the book at Christianfocus.com, and in the next couple weeks, I’ve heard this book will be showcased at their new Christian Focus Booknotes blog, too.

Without further ado, I provide an extended book excerpt. For more, you’ll have to get the book!

In the Gospels, Jesus often took the Psalms to his lips as his own praises. He sang Psalm 41 as his own song: ‘My close friend in whom I trusted…has lifted his heel against me’ (Ps. 41:9/John 13:18). He sang Psalm 118, not as a common experience of God’s people but as his own experience as our true king: ‘The stone that the builders rejected has become the cornerstone’ (Ps. 118:22/Matt. 21:42). Jesus identified himself as the anointed king in psalm 110: ‘The LORD said to my Lord, “Sit at my right hand.”‘ (Ps. 110:1/Mark 12:36). In these and other examples, Jesus frequently showed himself to be the Son of David by taking the Psalms of David to his lips as his own songs (e.g., Matt. 27:46/Ps. 22:1; Luke 23:46/Ps. 31:5; John 2:17/Ps. 69:9).

In fact here is Jesus’ own explanation about his relationship to the Psalms of David:

As Jesus taught in the temple, he said, ‘How can the scribes say that the Christ is the son of David? David himself, in the Holy Spirit, declared, ‘The Lord said to my Lord, Sit at my right hand, until I put your enemies under your feet.’ David himself calls him Lord. So how is he his son (Mark 12:35-37, quoting Ps. 110:1)?

Jesus says that David wrote Psalms for a descendant who would be greater than himself — the coming Christ. In the Holy Spirit, David understood that his songs would ultimately be taken up by the Christ.

Peter makes a similar point in his sermon at Pentecost. Peter preached from a string of Old Testament texts, including several Psalms (Pss. 16, 89, 110, 132)…. According to Peter, David wrote the Psalms ‘knowing’ that God had promised the Christ would come from his line. And he wrote Psalm 16 ‘foreseeing’ the resurrection of Christ. The Psalms were born out of the experiences of David and his heirs, but David wrote with awareness of the coming Son of David who would ultimately take the Psalms to his lips as our perfect king and songleader.

From the beginning, the Psalms were composed for Jesus — as his songs. No wonder the New Testament church never set the Psalmbook aside. They took up the Psalms in great delight, singing in them with Jesus.

Let me offer a word picture to anchor this principle. Imagine that a friend of yours has invited you to a concert. A famous choir is in town, and your friend bought two tickets. As you slip into your seats in the concert hall, a one hundred voice choir lines the platform before you. And the music begins. The singing is superb. It could not be better. It is such a pleasant evening, you and your friend decide to return the next week for another concert.

The next week, you return to the hall and find the same choir singing again. This time, however, a world famous tenor is going to be on the platform with them. As you sit in the audience listening, you are entranced by the beauty of the soloist’s voice, surrounded majestically by the hundred-voice choir behind him. Perhaps you will come again another time to hear more.

What is the difference between these to, imagined performances? In the first, the audience is listening to the voices of a hundred singers. The song is the choir’s song. In the second performance, however, the audience is listening to the voice of one singer accompanied by a hundred others. But it is the one singer in front who stands under the spotlight. His song is being performed, and the rest join him in singing it.

In Christian worship, God is the audience of our singing. Many congregations today see themselves as that hundred-person choir singing to God. They imagine that they stand as a mass of worshipers, singing their songs of faith to him. That is the expectation behind modern hymns and praise songs. Modern hymns do not say, for example, ‘What a friend I, Joseph Scriven, have in Jesus.’ Hymnwriters compose songs for the congregation to sing as their song to God, with the song’s original author and his experience disappearing from view.

This is where the Psalms are radically different. The Psalms are composed for a use like the second performance imagined above. Our divinely appointed leader, King Jesus, leads our praise. Jesus sings his own songs in his own words (composed prophetically for him). They are his praises of the Father which he calls us, as his subjects, to join him in singing. Rather than disappearing from view, we are supposed to sing in conscious identification with Jesus as our Psalm leader, and with his experience of the cross and resurrection before us.

[emphasis added, from pg. 51-54]

Disclaimer: This book was provided by Christian Focus Publications. I was under no obligation to offer a favorable review.

You can pick up a copy from Amazon.com, Monergism Books, or direct from Christian Focus.